Mr Wonka
keeps his Jabberwockies
in a special, secret room,
carefully hidden, as if
he were a
James Bond villain
with an ultimate weapon
threatening
global doom
and not just tooth decay
and yes they do Jabber
all day and night so
there is much
sound proofing
and sedative gas piped in
to stop them
from bickering incessantly
over what the lines in
nonsense poetry mean
not
toves, slithey or otherwise,
are they fed with
but generous helpings
of meringue, and creme brûlée
but Wonka himself
not really a fan of Freudian
fantasy
however given such
an English fairy-tale veneer;
mathematical joke and
logical
conundrum given
a fair sprinkling of
to distract you from any
birth trauma, worm hole
singularity, cosmic horror
felt as you
with Alice down
the rabbit hole do
disappear
flattening out horizontally
in order
to board Wonka’s boat
at the entrance to
his terror tunnel
where he will
flip into a ranting
temporary insanity
to remind us
he is sweet entrepreneur,
but also
bizarre fruit
of a strangely cross-
pollinated, Rimbaud, Lovecraft,
Edgar Allan Poe tree
as we steamship along
journey timed to exactly
to recitation length of
his weird
psychedelic
avant-garde film of
a gothic poem
flowing with the chaos of
the cosmos
shades of
Rimbaud’s
alcoholic Seine trip
or maybe
trapped in what
seems like an eternity of
malignly-authored
simulation
moving not at all
(in the absurd
there is
no
terminus only
infinite
departure)
for the truth here we need we need
to ask
the Jabberwockies (at
least
the one of them that
as in the riddle
always
tells the truth)
Charlie and Alice
having long disappeared.


