Collection sep 2025
OR SO YOU BELIEVE
deshabille
(or so you believe)
whereas I would say
too much is divulged
subtext is showing
paradigm is exposed
to the ruination of your
reputation
need yo cover up
heads to
spin
though my own stock-
in-trade be
scarcely golden
seems like you may just
have rushed too pre-
cipitously into
some bad
media alchemy
and now
are looking high and low
under every bombed structure
for each
and every collateral
making such a racket to
deflect our eyes
from the hypocrisy
the place
reduced to a desert,
carnage
beyond words
sad that what might have
saved poetry
bent out of shape to
sustain
the war industry
defend
death’s exceptionality
make the case for a rapture,
thing so sickly sweet
will
annihilate the need for
theology
morality, humanity
basic kindness and love
the species professed to hold dear
“”””
CHORD
I imagine
there is a script in my head
the page not yet in being
crying out for
birth by improvisation
wanting to go wherever
it wishes to go
meanwhile in the forest
Puck never foresaw King Crimson
never anticipated
the marriage
of Robert
and Toyah
Toyah and Robert
when these stories
tell themselves
they believe
brain states but pen dictates
something in the ether
flutes, strings or
maybe
an eerie mellotron
singing, cross-
pollinating
I don’t know
whence or why all this comes
flows first
like a trickle, then
a river flowing
through a capital city
but it comes
it comes
turns time to
its tune
and you
as always an inspiration
to me
serenading me silently
but inwardly I dance, have
no choice
but to
your body
raw rock and roll, incipient
heavy medal
your mind
Mingus, Davis jazz solo
your voice
the missing solution to
every unsolved ancient philosophical
problem
every genre
zone and miracle twist
in the plot, jaw
dropping moment
leaving no niche
left uncovered, hoard unfound
across that sweet topography
and every
molecule fibre
crying out, imploring you
to fuse
with my mythology
jump aboard my allegory
become my inner metaphor
in the confused progressions of this symphony
the very Devil’s chord lurking
I do believe
“”””
IN THE MORNING
feeling buoyant
energized
thought myself
on my last legs
looks like
I was wrong
and so
many things to love
about a
new day
about the morning
let’s
take it
from the top
I love so
many things
in the morning
I love the smell
of Robert Duvall
telling me he loves
the smell of napalm
in the morning
alongside a river
that winds through shadow
to the dark heart of man
I love
fire and death in
my morning newspaper
nothing like
a dose of savagery and misery
with my bacon, eggs and
pancakes
toast and tea
but to
mellow out a little
I love my songs soft and
sentimental, expertly crooned
with Sinatra panache
catching me by surprise
as they drift across the airwaves
calming
me down straightening
me out
making me
comfortable, approachable
deadly in my
sublime treachery
like Garbo, the greatest
of all double agents, quiet (and
marvellously) mad
magician
of Allied spies
woke one morning
concocted the most
delightfully outrageous fantasy
to deceive
Hitler’s Reich
lead up the garden path
do something for humanity
in the morning
overlord of
all mornings
****
DARWIN 4
I like
to think of myself
of a Victorian naturalist
shot out
of a cannon
into the future
through
space and time into
distant and
bizarre
Goldilocks Zone
to find
myself
taking a stroll like
Imperial British Gentlemen
walking on the
surface of an
alien planet
they
happened to
name after me
freshly equipped with
all my conversions
retractable legs, compound
eyes, downloaded intelligence
and full
hover capabilities
carrying me across the
needle-spine badlands,
the acid seas and lakes
of mercury
looking for
the planet’s raw nerve,
scouring every niche
for signs of
life, impending
intelligence,
hints of the biological
foundations of
new civilizations and
their
inevitable cities
of deep, incandescent pain.
****
THERE IS NO
there is no
poetry to survive
the six million
poetry dies
a death
each genocide
spicy left-leaning
socialist philosopher
from Frankfurt
made that
point with
finality and
killer succinctness
no landscape
ever worth writing about
once
the bombers have been
tanks
churned their way through
ploughing through fields
that never
can
be ploughed again
until
that horror, that pain
burned
into memory
is
thing lost to time
can no longer remain
****
ARACHNE
I implored
the goddess
for an advance
to cover my needs
willfully mishearing
she proffered advice regarding
my need for brevity,
to come to the point
write the scenes
in strict succession
creating characters
who could not
fail
to convince
and thus, my fingers
immediately responded
inspired divinely
exploded at once
across the keyboard
worlds
apart from my usual plod
pinging away, spinning tales
rich in revolutionary output
soon impinging
upon a critical mass
whereupon
I dreamt such
a perfectly sound and logical
left-brained dream
much scissor snip snap
and fabric flowing
output growing
and the clothes by no
means invisible but
fit for an Emperor
consummately tailored
yet desperately clinging
whilst
the goddess acknowledging
my supremacy in
the very shape
ot this transformation
ss I
rappel, abseil, become
finest
weaver of treachery
suspended by
the divine strength of silk,
my silk
and you now dangling, reader,
hanging on for dear life.
****
CAVALIER
let them
bulld a chapel
weave corsages, prim
nosegays
see
where my finger points
out into the distance, just
on the horizon, vague yet
stark
beginnings of a scaffold
yet this is
just presentment, this you
can relegate Shakespearean style
to the vagaries of a bad dream
Lucasta’s posies have
little surface connection with
a lunge into hedonism,
living
by the sharpness of
rapier, dagger,
long sword
which words
sst themselves, deliver their
own bitter, toxic,
raucous fruit
out there forces
starting small, becoming titanic
great the heart that
survives this ice, amidst
all this
cacophony,
yields pandamonium
****
CYPRUS
something boiling in
the water
off
the coast
of Cyprus
a gorgeous monster
created from foam
lethal one kiss
of kisses
the beauty of which, wonder
of wonders that
love goddess,
simply
destroyed me
****
CURVATURE
wholly complicit
she
observes how the light
dapples her desk
take a
counter to her
and
she will not
stop ticking
good sign!
neat how
just a word
from her physics Professor
can break this reverie
bring her
back to reality (so-
called)
him within which
expounding at length
on the cast-iron
laws of
repulsion, attraction;
the sheer number
of white-hot articles published
hourly, daily,
emanating
out of this machine
testament to how
slowly the Universe
has slowed down
(no quick
big crunch less
than than
lovingly speaking)
still locked
and loaded, explosive,
keen on expanding
whilst the warmth
of that afore obliquely
hinted at
solar radiation
runs up her arms
pours down her neck
leaving her
ripe for anything
feeling never before so
cute and
astute, philosophically awake
ready to
deal with dark energies,
dark matter
across
whatever distance
strip
back that veil
trace (her
very first blueprint)
the soul of her curvature,
all curvature
as it makes its way
****
LESS THAN FINE
wanted to write a
sexy poem
very
sexual
but the ink
prematurely ejaculated
shot out of my pen
wanted to a write a
very scary poem
ultimate scare
but the ink froze
my blood curdled
as it
hit my brain
wanted to write a
very sentimental poem
terribly sad
but the
page got fluffy
all
of a sudden
out of nowhere
went all
soft toy on me
didn’t want to
write an
elegy, my
elegy
a poem
on death
but you
twisted my arm
persuaded me I should
promising me
you would give me
the perfect
last line
all those last lines of my own
though by
no means hopeless
less
than fine
****
APOLLO
rocket
to the Moon
rocket
saying Hi, dropping
into my
back yard
bringing my own
private star, billion
degree
Sun
same rocket
rocket
men
rode to the Moon
(bouncing, buggying around
scenic drive
one small
step for man)
same as the one that
took out my house, my
tiny lawn
like the eggs on the stove
I was cooking when
it came
to pay
a visit, pay
its respects
popping, exploding in
that red-hot thermonuclear pan
I was
well and truly Sun god fried
****
CRYPTIC
rearranged the furniture
in my head
(a few dry walls
had to knock out)
started to resemble
a mausoleum
which
so startled me
ended up
forgetting entirely
about my bed
and how and why
ended up in
the first place
fighting with this allegory
but did sleep
and collided with
all I had
moved and misplaced
throughout
my dream
in dream
no GPS no
proximity scream
things as they present themselves
could hardly be
more cryptic
****
ORIGIN STORY
I have totally
equipped this poem
for survival
to be a
lean,
mean
break-
dancing machine
sharp in tooth
incredibly soft in paw entirely.
****
IN AN IDEAL WORLD
fishing
for jellyfish
wouldn’t know
how to start
unless
common sense dictate
candy rod
sugar sinker
gelatinous hook
baited with
(in an
ideal world)
strawberry cream and
vanilla custard
****
ZAPIRO
it’s no paranoia
just
bad fractals
not a tad of alien malfeasance
behind those clouds
focus
won’t you
be like the Sun itself
passing through
a magnifying glass
observing
how a piece of paper
flapped in Parliament
(Parliament
of Parliaments)
might cause the wind
to howl
through streets shut down
a bad time idea
whose time is here
and now
only the anointed
wish to be
associated with it
loyal to
this final state
of secure being
iron wire and
tape spinning
nothing like it
even if your
paranoia run rampant
nothing in your
mind could be more off-beam
****
VISITATION
Had a bad dream. A stinker.
Dionysus, Apollo
moving in
as next
door neighbours
tightest of brothers
bitterest of rivals
neatly trimmed
the hedges between them
swarming with vipers
and me
in my own garden
drinking posh tea
Ambrosia flavoured
when
at their joint house party
episode war erupted
after guests
spoke brazenly
reacted ill-advisedly
blows, shots
exchanged, heavenly dactylic
style of sibling fighting
and all caught as collateral
in a disciplined rush
to
escape to high ground
live to tell the story
and me
waking from this dream
finding myself
worse off
plunged into another
hated, loved
by the gods
lost
at sea, shipwrecked unless
forever sailing
no sight of land
just the great
fiction of Elysium Hades, Olympus
eternal wine-dark sea.
****
the telepath writes haiku
always leaving the last line
blank
to be frank
****
let me use
sign language
to express
what words of desire
lack the feel for
short on touch
****
in the sea of irony
only the humorless
drown
elect to
sink
rather than swim
****
BY A THREAD
my poem
is running
with the wolves
running
from the dogs
poems
always seem
to end up
chased into the forest
running from the dogs
sheltering
beneath the tall trees
trees stocked
with good wood
springy, workable,
chop/chop
/chop
and there you have it
a gibbet born of craftsmanship
set to hang
unless
we cut out the middleman
let the trees themselves
do the culling, catching
chasing
me meanwhile
so desperate to
deflect
win hearts and minds
counter-persuade
them
I am repentant utterly
reborn to turn
over a new leaf
doing my best to change things
before the last line closes
leaves us
between turnstiles
frozen in limbo
hanging
by a thread, by
a single thread hanging
****
CANOPY
catch me
in the treetops
dodging
the attack butterflies
buzzing out
of character like
angry 109 Messerschmitts (someone
having stirred up
their nest to a frenzy of
National Socialist fervor)
below the canopy
burnt out hulks
civilizations scrapyarded
threatening the promise
of sacred, peaceful,
untroubled,
no bumps
in the night sleep
parachutes
opening formally, things
mushrooming with
a wide radius
dreams as thick as dead leaves
as the last days of Northern Autumn
everywhere you look
littering the forest floor
“”””
NILE LESSON
I am doing my level best
to teach the art of poetry
to the Queen of the Nile
knowing that
the slightest pedagogical
mistake might turn
my body into
a pincushion for arrows
and so
words hang back, prove0
extraordinarily reluctant
stick in my throat
like fat scarab beetles
even as
a real, intrepid scarab
attempts to
cross the palace floor
for which gross violation
and fatal impropriety
she does catch
and crack it open
its
carapace
being no match
and me left
thinking, wondering
if there be
a metaphor here
to elucidate
for her desired
edification
but then
when (Isis-inspired)
I ask her to regale me
with list
upon list
of words whose sound she loves
those lethal eyes dance
her voice
goes gold filigree
mind
rises to the moment
as if
a thing of fine silver
housed in bluest
lapis-lazuli
is all, she is all,
softest of waves
about
to crash on the shore after
crossing the Mediterranean
I am, for my sins,
trying my utmost
to teach
the art of poetry
to the Queen of the Nile
****
FIRST GEAR
making hot
stuff with you
raises
my pain threshold
lowers my centre of gravity
tunes me up, every piston
pushing perfectly,
like
a twelve cylinder engine
a portrait of road
holding, fuel-injected precision,
as soon as you get me
out of first gear
****
PROFESSOR MOONSHINE
was wearing
my best strip-searched
human face
instant guide
to my moral integrity
goodness of my nature
philosophizing
at the turnstile
life
death
Heaven Hell
United City
activating my consciouness
Earth watch, star radar
derby match floodlight
bathing the stadium
sky wheeling in time lapse
as it got to
penalty shootout
even as Sputnik
circles, Eagle as landed
space roce
whizzes by
long time long time
(unless already on Mars
conspiracy theory) we
all
believe we saw
boys shot from sunny Florida
racing in silver dune buggies
back
fron the Sea of Storms
bouncing in that gravity
towards the Sea of Tranquility
****
ACCORDINGLY
this poem
(if you can call it that)
has been prescribed
for the safety of us all
in the interests
of National Security
no one may according
duplicate, disseminate, read,
repeat, cut splice dice
dip
into
take a single syllable
from this poem
allow the words
to proliferate, play
run
all over the play
and so
in the interests of
the preservation
of hard won liberties
let us
all
stay
on the same
page
rejoice in this dictate
****
FOR HANNAH ARENDT
what it the compassion
you can squeeze
like a lemon
drag
from a stone?
camp gypsy
coaxing a wealth
of sadness out of an accordion
a couple of devil
Halloween masks
fall by the wayside
not all that skims
is banal
entirely devoid of imagination
lips finding
special pleasure, dodging meaning
the road
once tangential is
now overgrown
unless it is autobahn
we were
talking compassion
but dismiss this, or
whatever
not enough tears
in out history
ever to drench you
****
TESLA
the light
transmigrates
was here
now there
st that speed
knows neither
time
nor distance
even
that wizard Nikola
Tesla
cannot
catch it, stop
it telexing itself
from point
to point
suffusing the darkness,
waving goodbye
at the moment
of arrival
keeping
you guessing
beyond the possibility
of infinite circuitry
****
IN PARENTHESIS
long division
square root
(stick night
black night
in parenthesis
before you take the liberty
to photon bombard it)
I would write
you up
if you were
worth the trouble
let you
take me in
your arms
and multiply me
all your chromosomes
gotten into the habit
or reading
me like a book
backwards forwards
straight line, arabesque,
turning
your story my story
into a flip thru
pop up
illustrated manuscript
shaving away those
bad dreams, wonky genes,
picking and choosing
choice bits
from my D
N
A spiral
not all behind
the scenes
the clothes
the blinds the curtains
so
seemingly old inert,
entropic, horribly
outworn
and outmoded
see how fresh how suddenly
green
when you edit, splice
cut through
sheath
down to essential fibre
highest factor lowest
common denominator
blend with which
life can perhaps do something
****
BOX
packed
my universe
into a box
not Pandora’s
not Schrodinger’s
and nothing
Chinese
a
b
o
u
t
it
set it
on its way
cast it
adrift
packed it
a box lunch
the universe never
giving
a free lunch
but here
we are talking
about the space
outside it
****
ONCE AGAIN
who knows
what lived there
in that stinky,
dirty brown pond
iced over
beautiful again
or so
it seemed to me
back then
here trying
to put into words
my childhood memory
****
SCRUB
scrub what I
said
previously, delighting
in your company
I am not prone to
insincerity, bound
to lie
about my infidelity
theoretical or
otherwise (perhaps
the thread
running
counter-clockwise)
nor will I
allow myself to be
railed (meaning
mono-rsiled)
unwittingly into it
led by
the nose to find
Nature’s soft truth
bound by
those laid-down trails
marked out
as alluring reams of
ribboned finery
that all the world
might see and believe
no let me
unusually direct
sparing in
extravagant epithet
or punctuational necessity,
far from being
abstract voyeur or
philosophical contemplation
stuck at my window desk
sifting through papers
so much
snow, white
space
inside and out
already falling, falling
beginning to fall
already
up to my neck in it
obviously lost count of it
not a
bird (in the hand or
bush)
nest
to cuckoo in
within a proverbial mile
****
THE RHYTHM
it is the
rhythm
that survives
finds its home
sets the edge
gives the tone
survives the centuries
connects the stars
lives
and dies
lives and dies
it is the rhythm
that outlasts
decides
what
stays; belongs
survives
the rhyme
****
FIN
we are
at the end of the last reel
the sea is out there
other mise-en-scene
steadicam shot tracking
us as we
go our separate ways
last piece of
dialogue
syllables exchanged
words spoken to each other
the crew are removing things
the theme is ending
catharsis death
back at the studio
a nightwatchman
flicks the on off switch
****
ASS
listen
observe
I sense here
a mad dialectic
right wing
left
wing
left brain right wing
not excluding
all that stuff
still left
in the centre
left and right of centre
talking opposing fighting
negotiating
brought to
the boil
coming to head
pain
in the ass
virus finding the door
wide wide open
no need to burrow
drill
right through the skull
****
SCRY
I scry
the world
through
smokey quartz
whereby
whatever
visions I see
always
remain guarded
steeped
in cold blood
close to the bone
I scry the stars
through the same
dark crystal
knowing as with us
and our blue
bright planet
out in that darkness
nothing remains what it first seems
****
PUNCTURED
on its way
to a smooth landing
3I/ATLAS must
have decisively
punctured
Fermi’s paradox
unless it didn’t
unless
it was just a comet
after all
a speed freak comet,
utterly anomalous
without
respect for comet rules
and the abiding
principles
of our scientific community
and all that talk of
lights nicely
planned trajectory
(worryingly
strategic) and
messages sent to
NASA telling
us no
worries within
the hydrogen band
just the usual junk
that orbits
common sense in
our media eccentrically
product of our
demand for excitement,
need for
hysteria
fear of annihilation
longing
for signs and
last ditch
hope that the cosmos
might notice us
assign us place
and propriety we
just do not deserve
****
3I
piece of
space rock
encroaching
if that be the correct verb
for thing absolutely
shunting it
fastest of the insanely fast
top of its class
which
speed and
basically everything else
our state of the art
Maths and Physics
can
say nothing about
every thesis and
theorem instantly
black holed
pure nickel
pure nickel
not even conceivable unless
metallurgy manufactured
Nature
caught us napping
never told us
how much out
there is
left field
things like that
keen to just fly by
take
a good luck at us
(though
without brain, without
eyes
probabilistic freak out
presumably most certainly
****
REAPER
thought roses
inappropriate
so sent you
a bouquet
of Carolina Reapers
could not be
more scarlet
brutally
scarlet
emblem of
the fire
of my love
****
TOUCHSTONE
trick of the light!
the poem
was there
all along
just had
to be uncovered
unless excavated
dug up
out of that trench
fished from
that pond
traced back to
its pathway through
your
ocean of smart
quick-fire synapses (not
to mix
metaphors at this crucial point)
for here we
outdo ourselves (or would if
we knew
our power, how easily
we could)
sail that sea of combinations
cross continents of
possibility at
what in reality must
be light speed
test
the horizon of galaxy as
we find ourselves
infinity bound
backwards forwards pitch, yaw
and roll
from here we can
head in
any direction
rounding the cape
from interior to exterior
and me
so softly, soundly touched,
rounding you (or
so I must believe)
here at
the heart of simulation
sublime deception
exactly as I dream