Damian Garside

I got the telegram
from Bergman’s gloomy
chess player

before I could
chisel any kind of epitaph
even a self-effacing joke one

the chisel was blunt anyway
and I have no skill
in this matter
and my Latin
and French are so weak
no hope there of going out
with an epigram
strident
or mellifluous

no, I guess
they need to find
a better home for
such fine
unmarked stone.

BRIEFING

I gave a briefing
to the creatures
from Wonderland
lest they wrongly
assume our
Alice-rational world
be opposite
in the extreme

for disappearing cats
and talking caterpillars
might here
be a real rarity
we do have
skies full of zinging
tic tacs
bouncing around
at Mach Twenty-three

yes things interdimensional
or extraterrestrial
craft manned and drone
with who
knows what superior
artificial intelligence and
advanced personnel
technologies which
make us look
like we barely out
of the Stone Age

I wonder what
fantastic, Wonderlands rich
in characters

these brilliant beings
and their magical technologies
are not
able to create to
amuse their
ancient selves.

BREATH

the goddess dances

and even though
it is only the few
the precious few

watch her dance in a place
that is neither Heaven nor
Mount Olympus

it is as if the whole
Universe has stopped
for a moment
to take
its breath

OPAL

her soul
be an opal

every shift and
change does she
then scry

Oh this landscape changes
as crazily but not quite with
the speed
of kaleidoscope patterns
every
mirror playing its part
in this mandala
of a mosaic

And I watch through smoky glass
or crystal
to save my eyes from the
ferocity of eclipse

things so clear once, but
now we guess that clarity
came at the price of
intransigence, the need
for that which
could not
survive exposure
to be parked, obscured,
in some
instances simply hidden

once we
gave ourselves the licence
to call out such practice, challenge
those assumption,
mock and ridicule and
turn the overwrought symbolism
into brute carnival

once we loved
that licence, rebelled in it

but
as she says
as she says

we are not
allowed to read the world this way, see
what we did see

the fiction is
steeped in the so-called
refinement of all Technicolor

SUPERPOSITION

I am your
local, friendly
quantum
mechanic

here to fix
your
robotic
companion

no
ulterior motive
no
judgements cast

will just
Turing Test him/
her/it
take it through all its
algorithms
its binary times tables

soon you will be talking
like two telepaths

perfect synchrony serendipity
and fits-like-a-glove
superposition.

EDGE

I have seen
enough
Black Mirror

not to swoon over any idea
of cutting edge

dystopia puts a different spin
on everything

blades whirring blending
liquidizing
making
everything the same

PIE

PIE
“a piece of pie”
2010: The Year We Make Contact

A piece of pie this monolith is
the cosmonaut said, unaware
how he was caught or
framed by
HAL’s beady eye (I say
“HAL” but you know
I must be alluding
to his Russian equivalent)

the monolith such
an iconic object by now
in all technologically advanced
civilizations

giving us the smarts to
nuke the entire
planet in
defence of our waterhole

and all on that hill
we havd sworn to die on

no the monolith though
teeming with stars looks
like a thick sheet of rolled steel
block of
planed wood

so much in our culture (ask
HAL!) revolving around
the battle
between steel
and wood.

POST YOUTUBE

post YouTube
we live in a differenf Universe
where aliens
fly through our atmosphere
like sardines
in the sea

and there is great conspiracy
to create
the ultimate conspiracy
in theory we know
just how diabolical this can be

so just
sit back, relax
watch on two screens so
you can becoms your
own twin-slit experiment
you may not
know her beyond
her avatar but
you do seem
hopelessly entangled

and if those sweet words
professing love eternal
spiritual
sustenance and
emotional protection

sound
too good to.be true
don’t worry
my child, soon
they will tweak your bestie
rework their
AI
and soon you
will be
squabbling so
intimately human

post YouTube you can
TED talk it through