WITH POEMS

WITH POEMS

began
to bombard you with poems

knowing you
would have been preferred
to be showered with flowers
bathed in champagne

but in essence each
poem is
itself
a kind
of flower

sort of like
a mouthful
of champagne

take them together
as they
     flow
into each other

this host
of poems

amounts to
a veritable deluge
of flowers

a monsoon rainstorm
of finest French champagne

26 KILOMETRES SOUTH OF RAMATLABAMA

26 KILOMETRES SOUTH OF RAMATLABAMA

“Everywhere the announcement prompted spontaneous
and often abandoned celebrations, a nationwide
street party which produced, hangovers apart, the word `mafficking’.”
Lawrence James The Rise and Fall of the British Empire

“Now they know how many holes it takes to fill the Albert Hall”
The Beatles: `Day in the Life’, Sergeant Pepper’s Lonely Hearts Club Band

The rain came
but it did not save.

The rain came
but it did not cure
did not save

The rain came
but the blind duo outside SPAR kept warbling away,
guitar twanging, getting great counterpoint on the
old gospel classics in Setswana.

The rain came
turned streets into rivers, rock-hard ground
into a morass

and I wondered, at the border
at our new flag’s edge,

if this is
not the same Africa
I stood waiting for
watching the old, blanched white world
with all its delusions of
rule and Empire
scurrying

under a few strategic stones, I do crawl,
to
hide, figure
things out, find true
self, learn how
we were always
wedded to, rooted in a theory
of blind right.
now
need to sit
this one out
become model
of quiet study.

And the shell-shocked lost soul from 32 battalion
ambushing me for bus fare,
old shoes and coffee

his talk an
incomprehensible mishmash of
Portuguese, Afrikaans, English, Setswana
rich in
idiomatic store
what things has he seen
expressed with a brutality we could not dream leaving his life, his
sanity left way behind him at Cuito Carnivale?

Who were we then
and long before
in those wars that shaped us, which
still shape  us?

What shape in the distance, what
Identity envisaged?

Today I walk the streets
amongst the chaos of my reflected humanity,
envisaging new shapes, hoping
to glean
a truth of a history
as I follow the railings down
past to the taxi rank, to the old station
(the line that followed the
contours of Empire, when this place was
strategic, when
this place was central).

along the railings down to the bus rank
past the quick cash places, and lingering smell of excrement,
stuff
imprinted on my brain well
before I get to know about it

floating in
my system, in
our system

mirrored in the mortal soul of
every brother, sister, father, mother

as they walk by, who
just happen to pass.

Where were they
at the Berlin Conference? Why did they not
address all
of humanity
from the floor?

Was
all of this envisaged
by their imaginary
boundaries,
in their paper parameters, the
defining latitude, longitude, lines
of our being
whose stories we
must tell, whose
new kinds we must
endless navigate (new
Homer, fresh
Theseus, old
Odysseus) must navigate endlessly
(and Escher’s hand
painting itself, is

the very emblem, essence of
every self-
referential scenario).
****

So quiet
this town

not
  always thus

once
at the epicentre
of that fiction
called Empire

after the celebration
they
danced so hard
that blood
seeped through
the cobblestones,
danced like it was 60s cultural revolution
way before its time

after the celebration, after they danced so hard that
blood dripped onto seeped unto the tarmac, after
as if it were one huge Beatle-jacketed 60s party
with much
coloured smoke, ribbon, acid, mescaline,
they mafficked themselves silly,
victory doves pouring out the windows
of what is now the old museum

and still the tale of
joy and victory, if you
were like the hunter-gatherer you once were,
to follow the trail of broken beer bottles along the Nelson Mandela Rylaan,
once named after a certain
sticky-ending guy called Verwoerd,

yes
my hunter gatherers
go with the flow, jumping
lane to lane, jumping
stops and red robots like a spawning salmon.

And yet, despite our sins, terrible sins if
not of a theological, of a political nature
are we not
despite ourselves
still

missionaries at heart,
committed to proselytize,
to bring to the
word, fresh
worlds and
their creatures?

****

Da
Diddy da

da diddy

diddy
da
da (DADA)

Gospel rappers
Jesus blasters

yours is an identity
lived across the airwaves

hard-raining us
assailing us
answering all
our supplications (no

surer, truer, cooler, groovier path,
for scoring with the babes in
the Eternal Kingdom)

stuck
in a void
but can still sing about it

Whilst, personally speaking,
if at last I may intrude into the world of my poem,
so many disjunctions do I find
this extraordinary Sunday,
making love to you as if
we were
velvet-lined machines, conjoined
souls with perfect gearing,
riding the power, soft
power to a
sublime enforcement
(as is
our duty and
our pleasure).

Sunday
  how the bells speak this day
with such brazen assurance!

Then
as if
wholly on cue, the
bells do arrive, earnest in
the summoning, stirring the flock with
much brassy clanging

who pour like a river, released from Eros� grip
stream to the bridge.

***

City of gravestones. Pithy
little epigraphs, circumspect last meanings.

City of potholes, dust and paths disappearing.

City once of
splintering Creusot shells, scattering murderous shrapnel.

City where
herded towards the turnstiles, the people
find, inexorably drawn to that huge sports confection,
everything reduced to its level, to
shared common denominator.

City where,
truth be told,
you are not a
city at all, just
a border terminus on
the road to nowhere.
but a place of despite, a refuge for the gray, the spent, the
forgotten, the unmeant,
perpetual conundrum, pilgrim’s non-progress

domicile to legions of the non-descript who spout ,
sprinkle  and counsel all the right noises

sitting (as if super-glued to their seats) for
hours strategically spent thinking
rich development options in a ditch-water-
dull boardroom

for which
i can do nothing, by
which I mean

nothing in my head could ever enliven this
desperately turgid impasse, this
stifled, engine-seized terminally
conflated, convoluted, con-
fusion of a stillborn
situation

there�s always something shabby
about culture ultimately

what it all
fat in the fire, out
of the frying pan, boils down to

City of reductions, obligations, lowest
common denomimators, strictest
bureaucracies, old Imperial traits
                         still serving
the interests of power

City
take us to a place
(even
despite yourself)
where we
might
see things differently

fashion new beginnings
found whole new typologies

****

Do not think
the stones are silent

do not think
that seemingly inert
they have nothing to say.

Here there was war:
here

is where we fell, humans,
titans, gods in
enduring epic struggle, where

the last echoes still resounding, we
gaze out into the darkness, swept
into cold rapture by
an infusion of stars.

Steak on the griddle: let it sizzle. And
sun scowling down make umbrellas blossom.

suns
are stars that scowl
like flowers
   they do wilt

****

Her name is `Casino� and she wears it well.

By your fruit she
would says she knows you, has met you
already.

Has heard, in the shadows, every
spider twist in your repentant tales of predation.

Just
follow her
protocols. assume nothing
in that space

as then
as indeed you must

roll
the dice,
Mr Snake Eye,

diamonds, clubs,
hearts, spades,

sixes,
sparkling diamonds,
zeroes
    that betray

makes no difference to
the game that is played.  Queen

of your night,
Empress

in a
garden

of toxic blossoms

under her
sign

everything is source, flow, return, beginning,

everything you ever
are with her is

a
broken song, a
sterile
play

a shattered poem.

****
Seraph, Soundbite, Magus, Parasite,

who is the one
who
is always with you, close
as if handcuffed, who

prepares your way; walks beside you
gives you licence
not just to digress, to
describe not
just an arc but
an entire tropical circle?

digress
swing by
follow the arc of
your trajectory

If
I were a
satellite orbiting
were I
    indeed
a satellite

such great
feedback would i give you
blow upot the size of a galaxy
the incredibly
small

could see myself blending in. In
my insect-small world a
near perfect fit

thinking thoughts
a scorpion, an ant,
a lizard might consider,

be happy to ponder,
cogitate, relate.

****

Gatekeeper
what falls within your field of focus?

what images sharpen as
night draws near?

Images of closure
are coming full-circle

every path taken is
bringing back to the start.

And me
posing in a Carnaby street pastiche of
an Imperial officer�s jacket

buzzing like a beetle caught in the floodlights
at some imaginary frontier

happy to pose,
pretend,

that I am
some shape-shifter at
the edge of the imaginary. Bearer of tales of
terrible transformation
to tell
at your wedding, to
inflict on your soul shading
towards death

hoisting the mast, ready to set sail
so much sand, so much sand, where

is the tide and
how might we catch it?  There are ships in the night but
never in this direction

nothing new, nothing different, nothing
ever surprises

nothing Mr Ezra, professor possum, that
we might create as our own, nothing
that seems to
ask that we
follow

you may
wish (or prefer not) to
follow

and then when we arrive

to dig, excavate, scour, scavenge

see how much the
world has changed

how they thought so differently, saw so differently, how
everything here was different perspective

before the asphalt, before
the diamonds, platinum,
before the gold

and now
the word
changes things in an instant
being electronic

the word
has made the world different entirely
this morning

has allowed me to capture all those pixels, mega-pixels
an entire cross-section, a gallery of
history entirely simultaneous, absolutely at once.

****

Suddenly, like

a returning pendulum,

we are back
with the lovers (in
our default position)

watching, listening, observing,
how distinctions are dissolved, with

every touch,
caress,

eroded, displaced,

this our great
lesson.

swing
   like a pendulum
be both Sun
and the rain

****

After the service
came the RAINBOW

but the rain
did not refresh, did not
answer prayers.

Before the service
an irreverent dust devil

swirled provocatively before me
snaked disrespectfully, contemptuously,
across stone and sand like
a reborn Hebrew temptress.

maybe
I�m a dust devil
swirling provocatively to
offend
   all and sundry

am the wind from the sea and the stones
come from far far away

****

The rain came
but the blind gospel couple
with organ and guitar kept twanging away
for all the SPAR patrons

to repeat the old promise of salvation, absolution,

and the cars swam
like gondolas (for the duration) along
the canal streets of Venice. And

following this logic we
have a dream sequence, find

clues for
a future, missing
pieces of puzzle

lines from a script
inexplicably missing and

in the air
so much dust

filtering the sun (around the
tree that
once was, where
before chopped down, where
many swallows gathered).

****

Where did it start? Where is
the beginning I will have to go back to?

Where did I

leave through some corridor, pass
through a door

step out into the light, put
myself squarely
in the picture? and where
now, Great Caesar
is the coin unto
you that
I should render?

Da

Datta. Dayadhvam. Damyata.

And this a thought
I leave for you
(camera panning, tilting, shock
sight of boom microphone)

the blind duo at SPAR,
nothing concluded there, but
still singing away

whilst the rain
when it falls

falls
without due regard, without
discrimination.

And

when
that
rain
falls

all roads evanesce.

****

Behind those eyes,
your eyes,

what do you see?

What songs
in your head

are songs that need singing?

What in
your heart

has no need of
translation

will come
straight to me

faster, more sure
than anything I could possibly anticipate,
could ever have imagined,

words full of wonder, could

should

spirit me away
like a balloon, like
a kite
on last
great journey, like sacred ibis North
to Anubis; everything
receding into
the distance,

scrape away
the layers
find new space, to
paint under to
paint afresh

plot a path that has meaning, has beginning, middle, end
conclusion (in which we come away with
resolved meaning).

steeple people far beyond, not
feeding back into, fuelling
ancient enmities that
still slither, set
boundaries, tear

the body divine limb from limb, scattered
like so many stones whose

voice now
so many voices, ghost voices,

take us to a place where
past finds a future with which it might settle,
where all
that is stored, remembered,
stacked in lost
archives of hope
is finally delivered.

here
to take stock; to take store
to ask
   (and answer) the question:

What did we envisage
lay across
the horizon?
what above, what beyond
did we believe
   would appear?

waiting to defer to our special shaman
much schooled in metaphor
to transport us through
               what would ne
our very last portal

back to the place (and all its future forms
extending way beyond this life span)

place where
these words sprang from

pale shadows of what
we need yet
          labouring with love
to speak the speak of desire

****

there is a tide
                   but

we have missed it

are told to return
    assume the
default
position

learn
    what can be learnt

teach
    what can be taught

remember the lesson
if it is
    a lesson at all

strewn everywhere
pieces of the puzzle

the stones are silent
the stones
    have broken out
in a sweat

appear
so agitated
      cannot stop talking

Beatle-jacketed
   looking for all the world
like a foppish, dandyish
parody of
   some silk-pyjamaed elite

I was panel-beating, shaping
a bronze icon
of the Sun

wIting for its mastercopy
to ascend to its apogee
things
    at their zenuth
the light comely
and effulgent

wedded to self-confidence, authority, certainty

Location, location, location.

26km South of Ramatlabama
as good (or bad) as anywhere
a place to be.

IT WOULD SEEM

IT WOULD SEEM

blood drips
flows
drains away

and this elastic stuff
kind of drips too
falls a grain
at a time

but I’m hindsight (taking
stock
taking account)
you
can feel
how fast it flowed

somewhere along the line
that dribble must
have spurted
gushed arterial

and now
you see it, the mouth
of a river
within paddling distance
from the ocean
and what an ocean!

ships heading
for port but
you my friend

only the immeasurable
vastness of the sea

blood driven
time driven

forever
it would seem

WHY

WHY

why be so singular
writing it as a poem
when you
could have (fire away!)
written it in prose

did you not
require clarity, transparency, conformity,
syntax you might
micromanage?

all of which (we
do believe) prose
alone is
the form
that
can secure

you see
the path
you see the doorway
avoid the kitchen,
drawing room
above all
the boudoir

for all
their highfalutin veneer
patina

there much
distraction and divergence

that way
leads
to carnival, sideshow,
introspection
all that
reeks
of
orgiastic pantomime

pathways opening but
then
immediately closing

rawness, roughness
that could not be more refined

but here
I am simply reminding you
of what you clearly already know

LOVER

LOVER

is
love

distinctive?
instinctive?

base?
superstructure?

merely lip service?
meandering midnight
love poem
   that simply
   never ends?

let me
stand back a bit
mirror this
big boudoir moment

(purely
   for the big picture
no
   ulterior motive)

your beauty such
that taking one look
gives
  me such confidence
for the continuity
of the species

unless
   it evolve as regards
shape and form
to obviate
  all discussion
of humanity’s preservation

and so
   you stand appalled
expecting so much more
expecting something different

and me
in hot debate
with her
     nonetheless.

Queen of
Confessional Poetry herself

no
   love poem
in the air

I ask for the words
for sauce
   but get insouciance

not a hint of nuance, colour,
love code and
all its protocols

Hallmark of
all that a love poem should be

having
   lost so much at love
so
  bereft of energy

HARD TO BEAT

HARD TO BEAT

no tiger claws
no vampire teeth

even so
walked through this door
and I was recruited
for murder

all above board
Geneva Conventioned

quickly prepped
armed
   and parachuted

into the fray
proverbially armed
to the teeth
(aforementioned teeth)

and what teeth!
less of interest to a
naturalist than
an orthodontist

not much good
for snarling or
biting
   through arteries

but pretty
good
   with pins

and securing commando
knives between
teeth whilst
leopard crawling

pretty
   good
    with pins

at pulling them from
grenades with
my teeth

   pretty hard
to beat

HEROES

HEROES

we asked for Spartacus
we got Julius Caesar

we enquired
about the availability
of the Buddha
and you gave us Genghis Khan

history always
switches on us
tells its
own punchline

holds us up
to bad joke scrutiny
makes sure
we miss the point

demolishes
every hero
fighting
for humanity

tells us
      who to
follow, obey,
even love

in a voice
you make our own

INCH

INCH

slowly
inch by inch

ripple
by ripple

you and me imagining
we are edging
closer to Heaven

closer to the truth
(whatever
that might be)
about the Universe
about ourselves

in this post-everything
world we currently inhabit
post-modern, post-structural,
post-punk, post-capitalist,
psychedelic,
        funkadelic

where
    you and me
doing the best that we can
at every turn failing

focused on
     completing
this ancient ritual (at
least its
bare essentials

basic equation)

DESTINED TO END

DESTINED TO END

Ah, poetry (let’s
out a breath
hears
syllables
expire)

hard to love it
impossible
to destroy it

Eliot, Richards,
Yvor Winters

all those years wasted
learning about it

from first
stumbling days on
the Rondebosch campus
then in red drag
robe
   about to be
your Dr G

which does the job
for would be rapper
of academic professional
(professional
      perhaps not
in the
dolling up to
take on the streets
revolutionary
of pleasure sense)

but
   incoming! a fat
opening line
fully
   armour-piercing
iconic Krupp
88mm

flouting itself as it
whistles upon me
fade to
   black. fade to
white

lap dissolve and then
match cut as it
demands
all my time

wouldn’t you
know it, have guessed it
something this
agonistic
simply certain
to happen

popping
     onto the page
exactly where we are, here
of places

oddest location where
we swore
    never again, would never
see
  let alone entertain
each other again

so
adamant this
would be so
      and yet
look what just happened

both
of us cast headlong
shades of the Lady
of Christ’s

angel
of free speech, secret cosmic rebel

off to the races
newly redefined spaces

no way of knowing
where this poem, this
thing poetry
             ever began

where (and how) in Hell, on Earth,
it is destined to end