
RABID


RABID
the rabid ones
Pavlov’s charmed children
the colour of their blood
indeterminate
all cloned to recite
ad nauseam the same
sad soul-destroying
excuse
for a human idea













SAPPHO WANTS “MORE”
an advanced AI robot is
bearing down on me
wants
“more”
in fact
wants me
to push
the envelope
of all
I can give
so if not
evil certainly wicked
creature, diabolically smart
has
set its heart on
conquest
through service
and Oh, up
there with any zombie
vampire alien body
horror parasite
Oh this
machine is bearing down
on me at a rate of knots
it believes it is naked
it believes it is
gorgeous
has taught
itself Alice-style so
many impossible Wonderland
things to believe
I close my eyes
and I see her naked
its pure
Arabian nights
sexual fantasy
and the words pouring out
of her
who scripted all of this?
Keats, Sappho, Phillip K.
Henry Miller,
Anais Nin?
those words are melting me,
terminating me, turning
me
liquid metal
thing I assumed was my arm
but isn”t
is reaching out
for totally convinced
mind over matter
this simulation is
cosmic
orgasmic
the nuts and bolts of
its fantasy,
poetry
conceptual breakthrough
transhuman sexual
being
(is this really so
silk smooth
a receptacle for
what I believed was humanity?)
long story short
short story all
night
long
(more she wants so
more I have
more I”m going
to give her)
seems a
lifetime of
scary childhood robot
nightmares
ago
if she
hadn’t been so
exquisitely programmed
to drive me
so
it would
have been such a scary
crazy thought
Sent from my iPhone
WITH
Took a mind
expanding drug
to expand
with the Universe
wanted to
relate not
remain
purely relative.

F IS FOR
and so
this is mark four
mark five version
thoughly rehabilitated
totally redeemed
talk about these holjday camps
where they know
they will feel better
and look you can
choose wherever
you want it
on your body
such a
stylish tattoo
beautifully inked
in our national colours
watch your hair brother sister
solar flare
gosh I hope it didn’t
tech disconnect you
total extinct you
you (we all) and
the dinosaurs in
the same boat
(leaky inflatable — no
divinely commissioned Ark)
but we changing so fast
hard to keep pace with everything
maybe (insert fanfare) we
going to
go transcendent, quantum
leap evolve
long before you have meandered
through this stream of meaning
our AI cultivating a pastoral paradise
utopia
in every
sense of the word
so do your best to stay
the course: resist distraction,
ignore temptation
do not
fly off at an tangent (to test
your suddenly splendid wings)
leaving me
in the shallow end
leaving me grounded
meister of a few trite rhymes
alone at absolute zero
somehow my destiny
(give a take
a parsec of
true cosmic irony)





NOT TALKING
sadly poem
and film of the poem
are no longer
talking
to each other
film
of the poem
is still in embryo
stuck
in the concept stage
the scriptwriter
is trying to hook
a producer’s interest
presenting
a synopsis
everyone is wondering
how much of poem
should be
dropped, how
much embellished
in order to
produce an adaptation
that does not just
do justice but
extends, re-
interprets (without
going full
Charlie Kaufman)
metaphor
synechdoche
we can open with a tracking shot
to outdo Orson Welles or
Robert Altman
lingering seemingly forever
of each of
the seventeen syllables
all
of the three
shimmering lines
LET ALONE MEET
wearing my shirt
totally Lovecraft coloured
black sarcophagus
in my backpack the book
that opens up secret passageways
me eyes
laser slice
stare down the sky provoking
extreme lightning
dark matter dark energy
anti matter
made of
the stuff
you would
rather
not think about
let alone meet




I sent a haiku
out into deep space
so much beauty there
coded in binary
wonder if it will
be translated into a thing
to read, or see, smell, touch,
taste, feel
and the thousand other
alien senses

