SOFTLY

SOFTLY
(for Emily
Maitlis)

speak softly
when talking
truth to
power

walk
circuitously
and carry a small
yet not
too insignificant stick

above all
addressing
the voice that
        must
never
be addressed

don’t go for it
call
    sign
    Maverick
like a
shrieking naval jet
on a strafing run

however much
after-action satisfaction
however
      much top dollar

sheer
        redemptive fun

TO SEED

TO SEED

I swim
in the hot sea

the sharks
    making

a cup
of tea

the dolphins
having a siesta

and the octopus
(whose name is Alice)
has
    contrived a garden
that is
  itself an
eighth wonder

shells and pearls
fragments of coral
and
  sea cucumbers

something so
Imperial in all
her
propensities

(expanding to Empire
                  the germ
of an
          idea).

ROSE?

ROSE?

is that
a rose

or is it
a bullet hole?

red rose
red rose

so many of them
slaughtered in the snow
days of
    York and
Lancaster

tried to stitch those
wounds together

but blood still leaking
through that tapestry

carnage
    somehow still
in your
    poetry

freeze
    framed you thought
for all
of history

not forever displaced
from theme to theme

BROKEN

BROKEN

poetry is sublime
code

bought you a nut-
cracker best
to crack it

heard the thunder, saw
the lightning created
by yout exertions

thpught if this
             be the reaction
of what we call Nature
tag
   as the cosmos

and if sweet Lennon-
McCartney lyrics be
the end
   of civilization

what would the lightshow be
like
      in store for us
   
  if we were to collide the
exposed
    God particles of the cosmos
                           (beyond
hypothetically)

in order to create singularities
         deep underground?

PROFESSOR SUGAR CUBE

PROFESSOR SUGAR CUBE

wanted to
      dissolve all boundaries
between
    self and cosmos, writer
and word

sucked that juice out
instantly
       on the road to
strangest territory

such a dark, dark terminal
sweetness

    and multiple many-track
dimensions trapped within the
confines
        of that cube
         

.

MR DARWIN

MR DARWIN

the observation
became conjecture,
became hypothesis, became
theory, became
scientific truth
    (most
assured of
        truths)

but it was
    when it became
metaphor that the world burned
                      burned
in the interests
of survival of the fittest

when extended into our
                realm of analogy

      a monstrous fitness
giving itself license to brutally contrive
        rewrite the world

                  slaughter half
the species

        in name of room to maneuver
space to
be

fresh habitat to colonize
      build that new fantastic civilization

some of us always dreamt of
          the rest, our worst
        nightmare fear

                    this on the supreme strength
of the
        shape of a scale
                          length of a
feather

HUMONGOUS

HUMONGOUS

human look
humongous
through
alien eyes

(forget any
cosmic romance
with sweet tentacled
creature)

the bodies we
born with

not
   for light-
speed optimized

what spring and
bounce born with

gravity level-best to
be levelling

so here we be stuck
all can do
     is wave as they pass
us
   any cosmic, astral travellers

then
    best write it off, crazy
to believe

when everything in
our Universe premised
                            on
plausible denial

MACHINE

MACHINE

“The autonomous logico-fantastic machine is something I like insofar as (and if) it serves some real need: the need to enlarge the sphere of what we can imagine, and to introduce into our limited range of choices “absolute rejection” by means of a world thought out in all its details according to other values and other relationships.” Italo Calvino

you must have
read this poem yesterday

or maybe you are
planning
to read it
tomorrow

stop me before
I ramble on erroneously:
you may well
have read the poem
today
    already

perhaps
    you are ahead of me

just how it is
       how this machine works:
nature of the game

it could be  stone-cold fact

that you
are always ahead of me

maybe you read it
when I was undressed

might have told me
I would have dressed
smartly for you

or gone all Lagerfeld
dressed
       to kill

but what use seduction
when I may
well
    be dead already?

what use
          putting pedal to the metal
linguistically speaking
upping the ante
so that
        my words
                 might touch you well?

you read this poem tomorrow

you read this poem
                     how things at
that moment dictated
                       everything

and
    short of signalling every cue
or clue

     nothing I could do