DEBT

DEBT

wanted to
write a little poem
about suffering
about genocide

but
spam and telemarketing
rained down
from Heaven like
peverse
pay-later manna

and incessant reminders and
encouragement
to settle my
outstanding
debts wonderful, this world

once God
declared for capitalism
poetry and
profit
such excellent bedfellows
like lovers
in Hell

and talking of Hell
there is
fear and consideration
of media troll monsters
children of the children of
the fat uncles and
aunties
who battleshipped the streets
in my small English town

so no poem
I’m sorry

no tiny increment to
add to this struggle

you are
on your own again, I’m
afraid

nothing more than ashamed failure
(with the rest of the world
accused by
this legal Penthisilea

I stand
not with
my brave South African
compatriots
far from this dock)

TO END ALL WARS

TO END ALL WARS

you call me
an animal
but you
are the ones
who kill
poets

shoot them
through the back
of
the head

civilized style
execution style

and amongst animals
who could be
less worthy of
life

than poets
what poet anywhere
(looking at
         you, Wilfred Owen,
Erich Maria Remarque)

did their bit
      for humanity

by winning a war
         (the war to end all wars)

ARIEL

ARIEL

Looking for a tunnel
to hide in
not to
  shoot from

roll mines
into

looking for paper
to write on
got no pen and ink
have to use
my finger

and the blood
seeping through my skin

heard an interview with
a veteran
 
touched my heart
              switched sides

he moved to align
himself with humanity
     away
          from war machine

no use to them now
                    at all
                    at all

lost his tunnel vision.

IN

IN

you are in
        now

we have bolted
you in

closed all the hatches
no escape

it’s our lenses
you will be looking through

you will be wearing our
combat masks, goggles,
glasses and visors

our Kevlar that stops
the bullet with your
name on it

nothing personal
from your enemy, they
just hate you

now you are just like,
in fact identical,
to every other
       killing machine

you are
          in now

no way of telling
when, if, you can ever leave

THEY WAKE UP THE DEAD

THEY WAKE UP THE DEAD

they wake up the dead
bomb their graves
so as to cart
off their bones
to interrogation
solve terrorist incidents
still
    on the books

they wake up the dead
have killed so many
that the underworld
is overcrowded
plus no creches
or kindergartens down
there for
the infants freshly killed

they wake up the dead
to kill them once
twice
    thrice, any number of
times that is
the sacred
     number of times

just to be sure to
be safe from
monstrous insecurity

JERICHO

JERICHO

Let me project this for you
                                onto a screen

proof positive that
we never learn from the past
about our shadow

and there
         like Babel, like Jericho
it all falls down

the air
      you cannot breathe, the crops
you cannot eat

such a price to pay for
all our vulnerabilities, for
all the exaggerated postures
of our fears

for all the bricks and mortar and
wire that we need

the concrete shelters that
we build

     the all-seeing eye
focus nought to infinity that
                      we believe

the memory of ashes
       that we can never leave.

FOUND FOOTAGE

FOUND FOOTAGE

I recall
the footage
am

still haunted by it
those days it was so fresh
(I was born
just less than eight years
after the war’s end)

thought
      for a long time
there a level of darkness,
depravity, racist inhumanity
the likes of which
we would
      never
             see again

terrible to say so, but our species
is nothing if not
a creature
of irony

      delighting in proving
(here so glaringly) everyone
horribly wrong

one monstrous darkness disappears
         another

is creating itself

   a darkness whose reversals

were they
       not so cruelly logical
would

     be impossible to understand

at last, I think,
I am beginning to understand