ODA ANACONDA
Collection sep 2025
BLESSING
I chiselled this poem
out into stone
laborious work
but it
felt worth it
wrote the whole thing
with a stylus cutting
markd into
clay tablets
spray painted
a whole stanza
in plain view
on the side of a building
in the middle of the night
daubed
it in blood
desecrating a flag
keyed it in electronically
pressed send and
believed it
published instantly
bouncing across the ether
whispered it into
your soft
ear
typed it out with suddenly
agile fingers
observed it flow
across your body
taking
it
to the house
point of truth where
you are at your most receptive
most fully conscious
of how
transcience here
comes into play
poem
be both blessed and
doomed
to disappear
****
HONEY
do not presume
to tell me
what
is forbidden
is the sky
forbidden?
the sea
the Sun
you
yourself
forbidden?
are all the things
in your book
of prescriptions
ultimately forbidden
what of honey
is that too,
forbidden
bees may sting
but the make it freely
as is the case
with honey, your honey
it is the sting
itself that makes it what it is
defines it as honey
and so please
before you
close the gates
shut
the hive
lay the mines
string the wire
as a matter of gentility do
tell me what is forbidden
point to
what is forbidden
in all this honey
that I might discover
taste
and judge
decide for myself
****
UNTIL
poetry is
the easy way
simplicity itself
line
of least
resistance
a quantum wave
of words
about to
flow
no huge
necessity this
be
in any structured
shape, size
or form
any
particular direction
in your head
mon lecteur acad-
emique
length
of line
geometry of page
slice and dice
of caesura
stanza
and here
we have a bitch of a poem
that refuses to budge
your fingers hovering above
the page
a picture of frustration
portrait of
inertia
nothing ever seemed
so impossible
until it didn’t
nothing even
beginning to flow until
it would
not stop
poetry is difficult until
it isn’t
poetry
is no way
easy
until it is
until
(out of nowhere)
it writes itself
****
AND NOW YOU DON’T
here we are
yet again
tooth and nail
battling upstream
insane in our search
for
forever narrowing
until
as always
the river
swallows itself
contrives
to disappear
****
AT LAST
at last
I got a handle
on an old memory
that semi-detached double-
storey house of ours
in the middle of
the cul-de-ssc
leading to the cemetery
how I wanted to
simply fly through
the glass windows
of my bedroom
upstairs
fly around briefly before
fire stage two and
full astral projection
and me
all of seven and desperate
to be a miracle
create my own parable
as i zoom hither
and thither
but something in
the room, the Sun, the
sky, the clouds,
the silicon they
made
the glass from
killed the tiny
shaman in me
there and then
only much later
would I be
dragged out by some
awesome power
to
circumnavigate
my own tiny special part
of the
other side of the Universe
these dots in my brain
becoming giant
and
dwarf stars
collecting, connecting,
linking
one
to all
at last
to get
a handle whilst
still
time
to re-
live
think
my way
through them
“”””
THE ODDS
threw a
Hail Mary
what are
the odds
historically
it be caught for six points
or fly to the Moon
on the wings
of Apollo?
less or
more
always a risk factor
must check those sacred pages
in my father’s manifesto
of social disconnection
great-grandchild of
some famine immigrant
sold a dream story
of opportunity
progeny of some child
of Africa transported
across the Atlantic
chained
in the hold
to work
those prosperous fields
out there in the touch zone
holding the victory ball
or still waiting
receiver by trade
and set
to receive
the crowd ecstatic that we
have a
Sitting Bull ambush, have
a Wild Bill
shootout
have some music demigod
to serve the half-time feast
red zone
hell hole
too far ahead in
space and time
for me
to ascertain with
degree of
certainty
the shifting nature of this game
cowboys, packers,
miners, and most
typically
raiders, chiefs and
buccaneers
see in its logic
all we need to know
must
now envision
the spectacle
telling its truth, making
its
ambitions clear
****
NOTE TOWARDS A SNOWFLAKE APPRECIATION SOCIETY
Why should I not
appreciate a snowflake
(such a lovely
devil
in that detail)
melting
on my tongue, between
my fingers
each one
unique
cold,
precise
I guess one
might argue
superior in
every way to
a poem
even
a poem about
snowflakes
for that matter
****
OR SO YOU BELIEVE
déshabillé
(or so you believe)
whereas I would say
too much is divulged
subtext is showing
paradigm is exposed
to the ruination of your
reputation
need to cover up
heads to
spin
though my own stock-
in-trade be
scarcely golden
seems like you may just
have rushed too pre-
cipitously into
some bad
media alchemy
and now
are looking high and low
under every bombed structure
for each
and every collateral
making such a racket to
deflect our eyes
from the hypocrisy
the place
reduced to a desert,
carnage
beyond words
sad that what might have
saved poetry
bent out of shape to
sustain
the war industry
defend
death’s exceptionality
make the case for a rapture,
thing so sickly sweet
will
annihilate the need for
theology
morality, humanity
basic kindness and love
the species professed to hold dear
“”””
CHORD
I imagine
there is a script in my head
the page not yet in being
crying out for
birth by improvisation
wanting to go wherever
it wishes to go
meanwhile in the forest
Puck never foresaw King Crimson
never anticipated
the marriage
of Robert
and Toyah
Toyah and Robert
when these stories
tell themselves
they believe
brain states but pen dictates
something in the ether
flutes, strings or
maybe
an eerie mellotron
singing, cross-
pollinating
I don’t know
whence or why all this comes
flows first
like a trickle, then
a river flowing
through a capital city
but it comes
it comes
turns time to
its tune
and you
as always an inspiration
to me
serenading me silently
but inwardly I dance, have
no choice
but to
your body
raw rock and roll, incipient
heavy medal
your mind
Mingus, Davis jazz solo
your voice
the missing solution to
every unsolved ancient philosophical
problem
every genre
zone and miracle twist
in the plot, jaw
dropping moment
leaving no niche
left uncovered, hoard unfound
across that sweet topography
and every
molecule fibre
crying out, imploring you
to fuse
with my mythology
jump aboard my allegory
become my inner metaphor
in the confused progressions of this symphony
the very Devil’s chord lurking
I do believe
“”””
IN THE MORNING
feeling buoyant
energized
thought myself
on my last legs
looks like
I was wrong
and so
many things to love
about a
new day
about the morning
let’s
take it
from the top
I love so
many things
in the morning
I love the smell
of Robert Duvall
telling me he loves
the smell of napalm
in the morning
alongside a river
that winds through shadow
to the dark heart of man
I love
fire and death in
my morning newspaper
nothing like
a dose of savagery and misery
with my bacon, eggs and
pancakes
toast and tea
but to
mellow out a little
I love my songs soft and
sentimental, expertly crooned
with Sinatra panache
catching me by surprise
as they drift across the airwaves
calming
me down straightening
me out
making me
comfortable, approachable
deadly in my
sublime treachery
like Garbo, the greatest
of all double agents, quiet (and
marvellously) mad
magician
of Allied spies
woke one morning
concocted the most
delightfully outrageous fantasy
to deceive
Hitler’s Reich
lead up the garden path
do something for humanity
in the morning
overlord of
all mornings
****
DARWIN 4
I like
to think of myself
of a Victorian naturalist
shot out
of a cannon
into the future
through
space and time into
distant and
bizarre
Goldilocks Zone
to find
myself
taking a stroll like
Imperial British Gentlemen
walking on the
surface of an
alien planet
they
happened to
name after me
freshly equipped with
all my conversions
retractable legs, compound
eyes, downloaded intelligence
and full
hover capabilities
carrying me across the
needle-spine badlands,
the acid seas and lakes
of mercury
looking for
the planet’s raw nerve,
scouring every niche
for signs of
life, impending
intelligence,
hints of the biological
foundations of
new civilizations and
their
inevitable cities
of deep, incandescent pain.
****
THERE IS NO
there is no
poetry to survive
the six million
poetry dies
a death
each genocide
spicy left-leaning
socialist philosopher
from Frankfurt
made that
point with
finality and
killer succinctness
no landscape
ever worth writing about
once
the bombers have been
tanks
churned their way through
ploughing through fields
that never
can
be ploughed again
until
that horror, that pain
burned
into memory
is
thing lost to time
can no longer remain
****
ARACHNE
I implored
the goddess
for an advance
to cover my needs
willfully mishearing
she proffered advice regarding
my need for brevity,
to come to the point
write the scenes
in strict succession
creating characters
who could not
fail
to convince
and thus, my fingers
immediately responded
inspired divinely
exploded at once
across the keyboard
worlds
apart from my usual plod
pinging away, spinning tales
rich in revolutionary output
soon impinging
upon a critical mass
whereupon
I dreamt such
a perfectly sound and logical
left-brained dream
much scissor snip snap
and fabric flowing
output growing
and the clothes by no
means invisible but
fit for an Emperor
consummately tailored
yet desperately clinging
whilst
the goddess acknowledging
my supremacy in
the very shape
ot this transformation
ss I
rappel, abseil, become
finest
weaver of treachery
suspended by
the divine strength of silk,
my silk
and you now dangling, reader,
hanging on for dear life.
****
CAVALIER
let them
bulld a chapel
weave corsages, prim
nosegays
see
where my finger points
out into the distance, just
on the horizon, vague yet
stark
beginnings of a scaffold
yet this is
just presentment, this you
can relegate Shakespearean style
to the vagaries of a bad dream
Lucasta’s posies have
little surface connection with
a lunge into hedonism,
living
by the sharpness of
rapier, dagger,
long sword
which words
sst themselves, deliver their
own bitter, toxic,
raucous fruit
out there forces
starting small, becoming titanic
great the heart that
survives this ice, amidst
all this
cacophony,
yields pandamonium
****
CYPRUS
something boiling in
the water
off
the coast
of Cyprus
a gorgeous monster
created from foam
lethal one kiss
of kisses
the beauty of which, wonder
of wonders that
love goddess,
simply
destroyed me
****
CURVATURE
wholly complicit
she
observes how the light
dapples her desk
take a
counter to her
and
she will not
stop ticking
good sign!
neat how
just a word
from her physics Professor
can break this reverie
bring her
back to reality (so-
called)
him within which
expounding at length
on the cast-iron
laws of
repulsion, attraction;
the sheer number
of white-hot articles published
hourly, daily,
emanating
out of this machine
testament to how
slowly the Universe
has slowed down
(no quick
big crunch less
than than
lovingly speaking)
still locked
and loaded, explosive,
keen on expanding
whilst the warmth
of that afore obliquely
hinted at
solar radiation
runs up her arms
pours down her neck
leaving her
ripe for anything
feeling never before so
cute and
astute, philosophically awake
ready to
deal with dark energies,
dark matter
across
whatever distance
strip
back that veil
trace (her
very first blueprint)
the soul of her curvature,
all curvature
as it makes its way
****
LESS THAN FINE
wanted to write a
sexy poem
very
sexual
but the ink
prematurely ejaculated
shot out of my pen
wanted to a write a
very scary poem
ultimate scare
but the ink froze
my blood curdled
as it
hit my brain
wanted to write a
very sentimental poem
terribly sad
but the
page got fluffy
all
of a sudden
out of nowhere
went all
soft toy on me
didn’t want to
write an
elegy, my
elegy
a poem
on death
but you
twisted my arm
persuaded me I should
promising me
you would give me
the perfect
last line
all those last lines of my own
though by
no means hopeless
less
than fine
****
APOLLO
rocket
to the Moon
rocket
saying Hi, dropping
into my
back yard
bringing my own
private star, billion
degree
Sun
same rocket
rocket
men
rode to the Moon
(bouncing, buggying around
scenic drive
one small
step for man)
same as the one that
took out my house, my
tiny lawn
like the eggs on the stove
I was cooking when
it came
to pay
a visit, pay
its respects
popping, exploding in
that red-hot thermonuclear pan
I was
well and truly Sun god fried
****
CRYPTIC
rearranged the furniture
in my head
(a few dry walls
had to knock out)
started to resemble
a mausoleum
which
so startled me
ended up
forgetting entirely
about my bed
and how and why
ended up in
the first place
fighting with this allegory
but did sleep
and collided with
all I had
moved and misplaced
throughout
my dream
in dream
no GPS no
proximity scream
things as they present themselves
could hardly be
more cryptic
****
ORIGIN STORY
I have totally
equipped this poem
for survival
to be a
lean,
mean
break-
dancing machine
sharp in tooth
incredibly soft in paw entirely.
****
IN AN IDEAL WORLD
fishing
for jellyfish
wouldn’t know
how to start
unless
common sense dictate
candy rod
sugar sinker
gelatinous hook
baited with
(in an
ideal world)
strawberry cream and
vanilla custard
****
ZAPIRO
it’s no paranoia
just
bad fractals
not a tad of alien malfeasance
behind those clouds
focus
won’t you
be like the Sun itself
passing through
a magnifying glass
observing
how a piece of paper
flapped in Parliament
(Parliament
of Parliaments)
might cause the wind
to howl
through streets shut down
a bad time idea
whose time is here
and now
only the anointed
wish to be
associated with it
loyal to
this final state
of secure being
iron wire and
tape spinning
nothing like it
even if your
paranoia run rampant
nothing in your
mind could be more off-beam
****
VISITATION
Had a bad dream. A stinker.
Dionysus, Apollo
moving in
as next
door neighbours
tightest of brothers
bitterest of rivals
neatly trimmed
the hedges between them
swarming with vipers
and me
in my own garden
drinking posh tea
Ambrosia flavoured
when
at their joint house party
episode war erupted
after guests
spoke brazenly
reacted ill-advisedly
blows, shots
exchanged, heavenly dactylic
style of sibling fighting
and all caught as collateral
in a disciplined rush
to
escape to high ground
live to tell the story
and me
waking from this dream
finding myself
worse off
plunged into another
hated, loved
by the gods
lost
at sea, shipwrecked unless
forever sailing
no sight of land
just the great
fiction of Elysium Hades, Olympus
eternal wine-dark sea.
****
TROIS
the telepath writes haiku
always leaving the last line
blank
to be frank
**
let me use
sign language
to express
what words of desire
lack the feel for
short on touch
**
in the sea of irony
only the humorless
drown
elect to
sink
rather than swim
****
BY A THREAD
my poem
is running
with the wolves
running
from the dogs
poems
always seem
to end up
chased into the forest
running from the dogs
sheltering
beneath the tall trees
trees stocked
with good wood
springy, workable,
chop/chop
/chop
and there you have it
a gibbet born of craftsmanship
set to hang
unless
we cut out the middleman
let the trees themselves
do the culling, catching
chasing
me meanwhile
so desperate to
deflect
win hearts and minds
counter-persuade
them
I am repentant utterly
reborn to turn
over a new leaf
doing my best to change things
before the last line closes
leaves us
between turnstiles
frozen in limbo
hanging
by a thread, by
a single thread hanging
****
CANOPY
catch me
in the treetops
dodging
the attack butterflies
buzzing out
of character like
angry 109 Messerschmitts (someone
having stirred up
their nest to a frenzy of
National Socialist fervor)
below the canopy
burnt out hulks
civilizations scrapyarded
threatening the promise
of sacred, peaceful,
untroubled,
no bumps
in the night sleep
parachutes
opening formally, things
mushrooming with
a wide radius
dreams as thick as dead leaves
as the last days of Northern Autumn
everywhere you look
littering the forest floor
“”””
NILE LESSON
I am doing my level best
to teach the art of poetry
to the Queen of the Nile
knowing that
the slightest pedagogical
mistake might turn
my body into
a pincushion for arrows
and so
words hang back, prove0
extraordinarily reluctant
stick in my throat
like fat scarab beetles
even as
a real, intrepid scarab
attempts to
cross the palace floor
for which gross violation
and fatal impropriety
she does catch
and crack it open
its
carapace
being no match
and me left
thinking, wondering
if there be
a metaphor here
to elucidate
for her desired
edification
but then
when (Isis-inspired)
I ask her to regale me
with list
upon list
of words whose sound she loves
those lethal eyes dance
her voice
goes gold filigree
mind
rises to the moment
as if
a thing of fine silver
housed in bluest
lapis-lazuli
is all, she is all,
softest of waves
about
to crash on the shore after
crossing the Mediterranean
I am, for my sins,
trying my utmost
to teach
the art of poetry
to the Queen of the Nile
****
FIRST GEAR
making hot
stuff with you
raises
my pain threshold
lowers my centre of gravity
tunes me up, every piston
pushing perfectly,
like
a twelve cylinder engine
a portrait of road
holding, fuel-injected precision,
as soon as you get me
out of first gear
****
PROFESSOR MOONSHINE
was wearing
my best strip-searched
human face
instant guide
to my moral integrity
goodness of my nature
philosophizing
at the turnstile
life
death
Heaven Hell
United City
activating my consciouness
Earth watch, star radar
derby match floodlight
bathing the stadium
sky wheeling in time lapse
as it got to
penalty shootout
even as Sputnik
circles, Eagle as landed
space roce
whizzes by
long time long time
(unless already on Mars
conspiracy theory) we
all
believe we saw
boys shot from sunny Florida
racing in silver dune buggies
back
fron the Sea of Storms
bouncing in that gravity
towards the Sea of Tranquility
****
ACCORDINGLY
this poem
(if you can call it that)
has been prescribed
for the safety of us all
in the interests
of National Security
no one may according
duplicate, disseminate, read,
repeat, cut splice dice
dip
into
take a single syllable
from this poem
allow the words
to proliferate, play
run
all over the play
and so
in the interests of
the preservation
of hard won liberties
let us
all
stay
on the same
page
rejoice in this dictate
****
FOR HANNAH ARENDT
what it the compassion
you can squeeze
like a lemon
drag
from a stone?
camp gypsy
coaxing a wealth
of sadness out of an accordion
a couple of devil
Halloween masks
fall by the wayside
not all that skims
is banal
entirely devoid of imagination
lips finding
special pleasure, dodging meaning
the road
once tangential is
now overgrown
unless it is autobahn
we were
talking compassion
but dismiss this, or
whatever
not enough tears
in out history
ever to drench you to death
****
TESLA
the light
transmigrates
was here
now there
st that speed
knows neither
time
nor distance
even
that wizard Nikola
Tesla
cannot
catch it, stop
it telexing itself
from point
to point
suffusing the darkness,
waving goodbye
at the moment
of arrival
keeping
you guessing
beyond the possibility
of infinite circuitry
****
IN PARENTHESIS
long division
square root
(stick night
black night
in parenthesis
before you take the liberty
to photon bombard it)
I would write
you up
if you were
worth the trouble
let you
take me in
your arms
and multiply me
all your chromosomes
gotten into the habit
or reading
me like a book
backwards forwards
straight line, arabesque,
turning
your story my story
into a flip thru
pop up
illustrated manuscript
shaving away those
bad dreams, wonky genes,
picking and choosing
choice bits
from my D
N
A spiral
not all behind
the scenes
the clothes
the blinds the curtains
so
seemingly old inert,
entropic, horribly
outworn
and outmoded
see how fresh how suddenly
green
when you edit, splice
cut through
sheath
down to essential fibre
highest factor lowest
common denominator
blend with which
life can perhaps do something
****
BOX
packed
my universe
into a box
not Pandora’s
not Schrodinger’s
and nothing
Chinese
a
b
o
u
t
it
set it
on its way
cast it
adrift
packed it
a box lunch
the universe never
giving
a free lunch
but here
we are talking
about the space
outside it
****
ONCE AGAIN
who knows
what lived there
in that stinky,
dirty brown pond
iced over
beautiful again
or so
it seemed to me
back then
here trying
to put into words
my childhood memory
****
SCRUB
scrub what I
said
previously, delighting
in your company
I am not prone to
insincerity, bound
to lie
about my infidelity
theoretical or
otherwise (perhaps
the thread
running
counter-clockwise)
nor will I
allow myself to be
railed (meaning
mono-rsiled)
unwittingly into it
led by
the nose to find
Nature’s soft truth
bound by
those laid-down trails
marked out
as alluring reams of
ribboned finery
that all the world
might see and believe
no let me
unusually direct
sparing in
extravagant epithet
or punctuational necessity,
far from being
abstract voyeur or
philosophical contemplation
stuck at my window desk
sifting through papers
so much
snow, white
space
inside and out
already falling, falling
beginning to fall
already
up to my neck in it
obviously lost count of it
not a
bird (in the hand or
bush)
nest
to cuckoo in
within a proverbial mile
****
THE RHYTHM
it is the
rhythm
that survives
finds its home
sets the edge
gives the tone
survives the centuries
connects the stars
lives
and dies
lives and dies
it is the rhythm
that outlasts
decides
what
stays; belongs
survives
the rhyme
****
FIN
we are
at the end of the last reel
the sea is out there
other mise-en-scene
steadicam shot tracking
us as we
go our separate ways
last piece of
dialogue
syllables exchanged
words spoken to each other
the crew are removing things
the theme is ending
catharsis death
back at the studio
a nightwatchman
flicks the on off switch
****
ASS
listen
observe
I sense here
a mad dialectic
right wing
left
wing
left brain right wing
not excluding
all that stuff
still left
in the centre
left and right of centre
talking opposing fighting
negotiating
brought to
the boil
coming to head
pain
in the ass
virus finding the door
wide wide open
no need to burrow
drill
right through the skull
****
SCRY
I scry
the world
through
smokey quartz
whereby
whatever
visions I see
always
remain guarded
steeped
in cold blood
close to the bone
I scry the stars
through the same
dark crystal
knowing as with us
and our blue
bright planet
out in that darkness
nothing remains what it first seems
****
PUNCTURED
on its way
to a smooth landing
3I/ATLAS must
have decisively
punctured
Fermi’s paradox
unless it didn’t
unless
it was just a comet
after all
a speed freak comet,
utterly anomalous
without
respect for comet rules
and the abiding
principles
of our scientific community
and all that talk of
lights nicely
planned trajectory
(worryingly
strategic) and
messages sent to
NASA telling
us no
worries within
the hydrogen band
just the usual junk
that orbits
common sense in
our media eccentrically
product of our
demand for excitement,
need for
hysteria
fear of annihilation
longing
for signs and
last ditch
hope that the cosmos
might notice us
assign us place
and propriety we
just do not deserve
****
3I
piece of
space rock
encroaching
if that be the correct verb
for thing absolutely
shunting it
fastest of the insanely fast
top of its class
which
speed and
basically everything else
our state of the art
Maths and Physics
can
say nothing about
every thesis and
theorem instantly
black holed
pure nickel
pure nickel
not even conceivable unless
metallurgy manufactured
Nature
caught us napping
never told us
how much out
there is
left field
things like that
keen to just fly by
take
a good luck at us
(though
without brain, without
eyes
probabilistic freak out
presumably most certainly
****
REAPER
thought roses
inappropriate
so sent you
a bouquet
of Carolina Reapers
could not be
more scarlet
brutally
scarlet
emblem of
the fire
of my love
****
TOUCHSTONE
trick of the light!
the poem
was there
all along
just had
to be uncovered
unless excavated
dug up
out of that trench
fished from
that pond
traced back to
its pathway through
your
ocean of smart
quick-fire synapses (not
to mix
metaphors at this crucial point)
for here we
outdo ourselves (or would if
we knew
our power, how easily
we could)
sail that sea of combinations
cross continents of
possibility at
what in reality must
be light speed
test
the horizon of galaxy as
we find ourselves
infinity bound
backwards forwards pitch, yaw
and roll
from here we can
head in
any direction
rounding the cape
from interior to exterior
and me
so softly, soundly touched,
rounding you (or
so I must believe)
here at
the heart of simulation
sublime deception
exactly as I dream
****
AT THE BOTTOM OF THE SEA
the cabin I once graced
now lies
at the bottom of the sea
seems it was something
of a cursed vessel
and where I am now
this semi-desert
an inland ocean once
paleontology
has determined
in the long long view
that tingle tremble
beneath your feet
may
at the end of the day
be a matter truly
tectonic
I almost drowned
on a ship
in sea water
the day before
it docked in harbour
thought I could swim
just sail majestically
across the water
me being
most water
of all the water signs
sank
like a stone, a thing
of lead
thought wrong
somehow feel that this is
not the last
episode in
an ongoing saga
me,
and the bottom of the sea
****
OTHERWISE
this flower
might well have been otherwise?
how on Earth can you not tell?
watching from the wings
I will always be there
as my snake self
coiling, uncoiling, sliding
over under
slurring those many
hissed syllables
in order to educate Eve
as to
words, possible worlds,
way
beyond her current
Scrabble set
and in one of these
an Adam without sin
who remains
eternally alone
looking everywhere for
a trace of that beauty
he has
yet not an inkling of
feeling, despite himself,
an inexplicable sense of
emptiness, incompleteness,
loneliness, loss
whereas
in all other permutations
he faces a time that
will come when all gardens
must be levelled
where
the leaves, the trees, the clouds,
the crystal streams and
mirroring waters,
the beasts and birds or the air
whose names
Adam gave
will all forget, be forgotten,
no one will remember, no
one to remember
****
PLAGUE
after years of boarding
and other water torture
he wrote his poems
to continue
the struggle
ease
his pain
avoiding
the word “raindrop”
like the plague
****
CHAIN
For you, Sir,
who have
seen been everything
and so much besides
I am here to announce
my bright design:
a
Seraph
in a clam
can
evolve to
the summit
Sirrah,
can do what it can
cutting out
the middle man
whose passes
everything up
down
down
up
in the chain
of command
****
STEAM
let’s make
fire together
in
our little boat
bottom of our boat
when
the sea rushes
in
we may drown
well drown
unless the fire
the water
go
for each other
turn us
into steam
****
COMPOSITION
pass me your pen
and I shall note down
those distances
the chalk on the blackboard
having list its imperative
the writing
on the wall changing
the moment it
gets written
the truth of relativity
not yet board-dustered off
yet already
done and dusted
and how many tiny white
flecks
look like motion-
captured stars, galaxies
in their movement?
at if
squeezing
the truth out of us,
pinching our analogies
the Universe were
writing us
writing the Universe itself
putting us
into, pulling us
out oh the picture
trying to figure out
which composition
works best
which
makes the
most sense
****
CHATTER
the forest chatters
so much
to talk about
stuff
every tree and
squirrel
needs to know
and you
keen to listen in
lacking the equipment
to tune into
those airwaves
wondering how
much you
have
missed
how key
these messages
going over
your head
(in a
manner of speaking)
****
AUTOPILOT
“Vada a bordo, cazzo!”
I was admiring a metaphor but then it sank
not in wine-dark ocean, somewhere between Charybdis and Scylla
but in turquoise sea, shallow, placid
verging on perfect island.
Earlier
the Captain himself had
put us on autopilot, too suave a narcissus
not to entirely confuse skirting sexual danger with
courting maritime disaster
and complete disaster was it too, for all the beauty of vista and shallowness of water, though not without its
comedy of cruise-control leading to full
Groucho Marx-moment of
tumble into lifeboat (what could be
more providential? did he not think, was
He not reminded of
Freud’s philosophy of the ship and
all of those jokes about being in
a boat and not finding the boatman?)
What serendipity
should we ignore, dare
we escape without
risking the Olympus (albeit these days that
Poseidon, at least has grown so tiny)?
Always the softness of the parallels
that rise to haunt us
even though
we did not see
doomed forever to fail to see them
no matter how careful
we navigate
carefully, frantically, at
full panic station scan the horizon.
****
NIMBUS
exactly what devil
in the detail?
specificity is what
seemed to be
called for here
their bodies
too much addicted
to love generalization
found themselves
mirrored
in each other
yet never
entirely dovetailed
like bold octave and
sublime sestet
in terribly dulce
juiciest
sonnet
crooning here
seems premature
so why
Oh why
throw myself into it?
here that will art/life disjunction with all its unforseen
consequences
will inevitably arise
bringing
much I would prefer
not having
to contend with
someone out there
always bee in bonnet desperate
to remind one
of how
slippy sloppy life might
well become
slipping blind
baby mice under
your front and back doors
and who can say and
is saying
now in fact
exactly
up in the high circle
Mozart Opera-ing
how when you
fall
from up there
observing Newton’s law
some kindly
sub-atomic might not
switch universes making
decisive intervention
there
from
lap of the gods
to lap of the orchestra
kindly deliver
you by parachute
recall
****
BEE DANCER
I am a bee (be
a bee)
alphabetically
entomologically
finding my
sharp little way
flower
to flower
heading home
stacked
with pollen
return
heavy with tales
exquisitely choreographed
of
how
to navigate
paint them a path
sweet
as perfume
honeyed with heart
each tiny
lemniscate
danced with
delight
danced till I drop
love
each figure of eight
(even better
times
eleven, what could
be more
funky
than eighty-eight?)!
****
AS IT DID UNFOLD
unfolded the Universe
as if it were
an origami
but on that paper
much
to my
surprise,
disappointed,
nothing to find
nothing
written
except the thought dawning that
all this time the
Universe
reading me
****
TETRA
they swarm like neon tetra
towards the light
or perhaps
away from it
out at six back
at seven
this is the lifestyle
that the planet
prayed for
behind
these walls, these gates
every
modern convenience
means of escape
but me
having drowned
once already
prefer the death deep
of dark indigo
down
where survival is
impossible
amongst the incredible
legions of
myth-denizens
and creatures
of infinite aptitude
biding their time
they swarm like
neon tetra, first cousins
to piranha
towards what
they believe just
has to be the light
****
ORIGAMI
haiku is a tiny
paper schooner
plodding down
a tiny stream
imagining everything
in the cosmos
to be
origami
a giant tsunami high
as a mountain
its ultimate cosmic
oceanic dream
****
REFUND
since the poetry tax
every haiku
is short a syllable
those
who never
wrote a line
queuing an eternity
waiting for
their refund
and for
those who
never learn
every epic masterpiece
of rebellion
and defiance
plunging into debt
breaking the bank
****
AH! BUTTERFLY
ah! little butterfly
fresh from your epic
of compression
and now expansion
gloriously, ridiculously transformed,
poster child for all
that less
extravagant a species
would have
never seen coming
though I do believe
wings are things
with which
I might have
been blessed before
I learnt to crawl
****
PLAY’S THE THING
the play’s the thing
unless
forgetting throne, crown,
father poisoned in
an orchard
I decide
to step back, tell
my tale of woe, hereafter
sleep
the peaceful sleep of one
not wracked with guilt
unforeseen consequence
collateral damage
take two succulent heroes
(a loving pair)
get them lost in
incestuous forest
without grid reference, compass,
guide
and so
plenty fairy tale time
to languish
in the bracken
strangle conscience
beg
to be thrown into the brambles
when smeared with tar
in this
our era, ’tis plain
how easy it be
to get smeared with tar
(a whole
industry created
to make it stick)
or
as if lifted up the tree
canopy high above,
in hydrogen zeppelin
or on
cushions of helium
think
ladder, cloud, spiral
staircase, deus-
ex-machina
elevator
escalator there
only to
convert into metaphor
lost babes
no more
but Castor and
Polluxed
fully
soaring, rising
high as poetry
complete
as blue
moon
lucid
as song
tale we might
recite together
the metre faultless, not
a rhyme wrong
OCTOBER POEM
I wander the streets
shortly after dusk this
last day
of October
they think
I am an artist
even though it is
a huge can not
of paint
but of darkness
I am
carrying this evening
fine and broad strokes
my world
my canvass yet
as it disappears doing
nothing to
dispel
any spurious faith
in such enterprise, much
to the contrary
exploiting
their misconceptions
fostering every illusion
blindsiding colour, extinguishing
the light
so much still to do
a whole tryptich of
forever never
reminding all
and sundry
there
is no final, no complete,
in art, with the imagination
are
just different species
of the fiction
that years for
ending
but
eschews its
own energies of closure
life and death
got the mosaic
here
every fragment
priceless
until
here at the hub
of antimony
I erase that
palimpsest of palimpsest
might be
paimted,
written over
****
NOVEMBER WEDDING
November wedding
sign of the scorpion
whole road
turned into a car park
for everybody’s convenience
and there be tents and tents
enough
for a small army
big brass even thumping
bass drum and love
tunes
pumping out
pulsatimg up to
somwhere
in the stratosphere to
connect with origins
of the Universe
pulsar
time for connection, bonds
ties reinforced
our
mortal duty to
replicate
and I am assuming
he is man of godly charm
and she
is a beauty
Oh what a lovely loving species
save for one
pen in hand who
could
not be more funereal
attendance
out of consideration because
take
one look and
you can see he lacks
the rhythm
shoddy on
the ground with this
surprisingly deep know how
meanwhile so much
in other
dream time, wife that
was and
all (but no legion)
on the list of the not to
be forgotten
lost
possibilities and
ghost lovers
let us leave him grieving
for himself
and yet
alive here to
the possibilities
further unfolding
of the human mystery, village
within a village,
story
within a story
man with
woman, far
as it goes
never
losing anything
crazy as
it gets
bridge to cross and
keep
forever crossing
however staged
this
show, this backyard
supreme spectacle
every clockwork Cupid
there for hire
musical choices quite,
quite marvellous
bound to get
the whole human hearr
hydrailuc pumping
like a machine
the stars fixed forever at
this moment propitiously
or less so
and me
creature without rhythm
stark and alone
and far beneath them
rewinding to other days
and
life-
chaning choices
one self off one way
new self
another
November wedding
marriage according to Mars
red
raw red rulimg
planet
blending all that is male
all that is female
all that
is the cosmos
to all that is of the soil
****
WITH THE GREEN COVER
I was reading your
second novel
the thin most writerly patriarchal trauma one
with the green cover
wrote a iffy little academic article about it that I let
myself be fooled
was
so on the nose
close to the bone
and me
your student, forever
your student, never
going to escape
out of
the heart of
that shadow
and now
that I am older even
than the oldest character
in that tortured idyll
I begin to wonder about all
the ghosts and their voices
and
all the spirit rivers
shapesbifting entities of
standing
in this land
Oh we have our angels and demons and
rich tapestries of mythology,
you yourself
so valiant
in the resonant
production thereof
to the extent that if
I am ever going to
escape
myself
escape anything, everything
am going to have to
return to those pages again
yet again
unmiss
what I most certainly
did miss
hope it hits me his time
truly and viscerally
touches
the spot
****
MY GREEN STAPLER
the science fiction
writer
loves his green stapler
more, much
more
than his
android companions
allows him
to concatenate worlds
create hybrids
fuse identities
make a nonsense
of the infinite
curvature of
space-
time
all he needs to
realize his vision
are portals
portals leading
everywhere
and, thanks to
the demand created by
my smash-
cut, smashup green
stapler
he is always in the market
for an unbelievable supply
****
GREEN
the rains
the rain
the rain
the rain
have given
the grass, the trees,
the plants
a lush edge
the green fingers of
the gods responsible
for green
have grown
greenier
and me
on the margins
liminal
as usual
feeling both oddly alien
and strangely at home
****
JUICE
It must have changelinged me
all that juice
goodfellow Puck did spray
around so
most liberally
throughout the play
that I fell qute captured,
sucked into the forest action,
Titania above me
and I, beautifully ass-
headed so
bottomed beneath
and speaking those words
as if we again, constantly,
forever thus
embowered
that magic so vigorous
as I crashed through
every barrier
softly dissolved
this last, ultimate wall.
****
SPRING POEM
for others it be Spring
but this
is our Winter
where is the light here
not without recollection
let me sign
it through for you
the hope that you fimd love
togetherness and completeness
the last
sweet cherry
in the bowl
****
DO SHEEP?
do sheep dream
of electric androids?
last night I dreamt
of the temple
of the high abbatoir
scouting out which
I circumvented the butchery
in the dark, dense forest
perfect place (as
opposed to a desert) for
such slaughter
to be hidden
place
where two and two
make five
or will do if
they tell you it does
TIMELINE
Christopher
in this timeline
never makes it
to the New World
his ships got stopped
in their tracks
by metal flying machines
with stars on the wings
and the power
to sink his
every ship
in half a second
huge metal boats
surfaced from under
the water
which appeared to
have a few aboard who
could speak Spanish
or Italian
who told him
in no uncertain terms
to return whence he came
M
there, upon his arrival in Cadiz,
no one would believe
his story
and even under torture
the Inquisition in Madrid
could not extract
a plausible account
and, thus, in these
grave circumstances
determined he must be silenced
the thought of such
an advanced civilization
across the Atlantic
would shake
the Church to its core
and threaten the sovereignty
of every European nation
deconstructing
every
rational premise
from final straw
to germ of an idea.
****
MILLION WATT AMP
I espied Apollo there
with his lyre
or maybe an
old banjo from dust bowl
heartlands
I am no
expert on music though
strolling through the stadium
with his
half-brother Dionysos
both exchanging at that moment
a sort of knowing smile
my guy
wondering what it might sound
like and,
more importantly, what
that sounds might do
to the
structures of
society
if it were seriously electrified
Marshall amped up to the max
(not ten
but eleven)
fuzz-boxed, wah-wah pedal led
and shaking the foundations
of Heaven
through
something close
to a million Watts.
****
ODA ANACONDA
syllable by
masticated syllable
came across you
filling that legendary belly
devouring every
morsel
of my name
seems
my being a snake too
according to
the ancient astrology
made me
as regards foodstuff
near
exact fit for you
a task for you
to slide into wisely
without apprehension
if you were
to call it
a marriage here not
of convenience
but
made it Heaven
consummated
in Hell, in devilish fashion
I would have
to agree
although
equally I might just add
it sounds
just
as good
the other way round.
****
DANTE
and there
at the very centre
of Hell
we find
Dante
tortured for eternity
for libelling those
above his
station
the justice perfect
the irony beautiful
everything in accord
for one whose wicked faith
could not
comprehend
that the Universe
has its golden favourites
who
should always
be worshipped, venerated
by those for whom
they are
their betters
the writers
of the law
always
above and beyond the law
(on this angel and devil
could
not be more
united
it is
their common faith)
****
WOBBLE
apologies
for the speed
wobble
but have got
fully pedal to the metal
watch them
all vanish
in the rear
view mirror
Plato, Aristotle
Jesus, Buddha, Nietzsche
all those great philosophies,
species dreams
fascism, dystopia,
cyborg reality, looming up
ahead
trying to
millionaire there
quantum disentangle, hit
light speed if possible
all a blur
crazy psychedelic sensation
soon
you will
feel the doom
really get
to the core
be one
with the rule
of iron
over chaos
ride the great wave
final seismic shift
****
HEY STANLEY
hey Stanley
throw me
a bone
match-cut
me
to something out there
beyond infinity
Space Odyssey me
strapped to the monolith
so at last I
can expire
leave the cinema last
rewatch, last time
knowing
in my soul I
have somehow
arrived homm