NOT TALKING
sadly poem
and film of the poem
are no longer
talking
to each other
film
of the poem
is still in embryo
stuck
in the concept stage
the scriptwriter
is trying to hook
a producer’s interest
presenting
a synopsis
everyone is wondering
how much of poem
should be
dropped, how
much embellished
in order to
produce an adaptation
that does not just
do justice but
extends, re-
interprets (without
going full
Charlie Kaufman)
metaphor
synechdoche
we can open with a tracking shot
to outdo Orson Welles or
Robert Altman
lingering seemingly forever
of each of
the seventeen syllables
all
of the three
shimmering lines
poems 2 die for 