and film of the poem are no longer talking to each other
film of the poem is still in embryo stuck in the concept stage
the scriptwriter is trying to hook a producer’s interest presenting a synopsis
everyone is wondering how much of poem should be dropped, how much embellished in order to produce an adaptation that does not just do justice but extends, re- interprets (without going full Charlie Kaufman)
metaphor synechdoche
we can open with a tracking shot to outdo Orson Welles or Robert Altman
lingering seemingly forever of each of the seventeen syllables all of the three
Tarot cards really ancient, origin God knows where
that reek of dark and translucent magic
and here is the Empress, all Aphrodite she I was most faithful to in the face of steep disregard
her beauty, as you see here, leaving me floundering leaving me speechless
reading in the arcanas the failures of my journey as I cling to this mask trying to keep it secure as it slides down my face
the tragi-comic smirk moulded there mocking my feeble attempts and onrushing failure as I grope in this swallowing darkness for some kind of illumination some kind of source perhaps there a
complete reading, a divination, the wisdom that I need
if there is wisdom you always telling me we can find the wisdom (so Empress-like in everything you do).
one, two, three programs on TV crafted supremely and carefully to dumb us all down
enough there for more than the odd pot shot need some serious serious poetry great poetic guns with heavy metaphoric artillery your intellectual life here in my hands