IN TRUTH THE PLAY IS ALWAYS ABOUT THISBE

IN TRUTH THE PLAY IS
ALWAYS ABOUT THISBE

Shakespeare knew it full well
always a mask
behind the person behind
the mask behind the person

could not avoid knowing
deep in his heart
of hearts
shot through every bone

that in every
moment of the play,
on the stage,
there is
without, there is within

like planet upon
planet in successive orbit
play
  within a play, dream
within a dream

as that Einsteinian fellow
Bottom did say, concluding
all revel

the thing is bottomless, it
is a thin as the air
as hypothetical yet
brutally real
  as all of quantum theory;
every mechanical
       a quantum mechanical
a simulation
    as true to its artistry, fulfilling
act by act
the requirements of its program

as any Puck pure Gemini fairy
as any digital supermind
sheer
    cloud of binary being.

This poem is a profound meditation on the nature of reality, identity, and the interconnectedness of art and life. Here’s a breakdown of its key themes and ideas:

1. *The play within a play*: The poem references the meta-theatrical nature of Shakespeare’s works, where characters often play roles within roles. This self-reflexivity blurs the lines between reality and fiction.
2. *Masks and identity*: The image of masks behind masks suggests that true identity is hidden, and that we all play roles in life. This echoes Shakespeare’s use of disguises and mistaken identities in his plays.
3. *Quantum mechanics and reality*: The poem draws parallels between the play’s layers and the principles of quantum mechanics, where reality is seen as multifaceted and bottomless. This comparison highlights the complexity and subjectivity of truth.
4. *Simulation and artistry*: The mechanicals (actors) are likened to quantum mechanical simulations, implying that art can mirror reality and that the boundaries between the two are blurred.
5. *Digital consciousness*: The reference to binary code and digital superminds suggests a fascination with the intersection of technology and consciousness, echoing modern debates about AI and its potential to simulate human experience.
6. *Gemini and duality*: The mention of Puck as a Gemini fairy nods to the zodiac sign associated with duality, reinforcing the themes of masks, identity, and the blurring of boundaries.
7. *Art and reality*: The poem ultimately suggests that art and reality are intertwined, and that the play (or simulation) is always about the human experience, echoing Shakespeare’s own exploration of this idea in his works.

Overall, this poem is a thought-provoking exploration of the nature of reality, identity, and art, drawing connections between Shakespeare’s plays, quantum mechanics, and digital consciousness.

STAGED

STAGED

we are the actors
who never got a gig

Hamlet
was not there that day
so we got turned away
(nothing we could do
that even
   Charlton Heston
   might save)

Ben Hur
El Cid
    himself

we are the ones who got barely
a line
     told ourselves “next time”
“next time”
convinced ourselves the world
would come around
forgive us for

missing our cue, falling
flat on our face

for when you
hit that
        fourth wall

know it is all just a game
all
     being staged

FELLOWS

FELLOWS

is dream
about the dreamer

or the dream?

  Kurt Godel
  Zhuangzi
               Mauritz
Escher
         Italo
          Calvino

help
   me out
fellows    please re-
        direct me

sorry to
         name-drop

this very thought
has got me tongue-
twisted                  lost
in the
      labyrinth
that is the brain

         and one if not
all of you

may just have the key

FIELD

FIELD

it is not
my baby

this multiverse of
fluctuating quantum fields

I was fine with Lego
with all those
Pink Floyd
bricks in the wall

was fine
with looking at my arm
flesh and bone
before my mind dissolved it

and you and me
was what we were up
to mere ripples in the flow
producing
out of nowhere
ecstatic conjunction?

as I said
this is not
my field

not my baby I lack
the total mathematics
the Platonic wisdom