BERRIES

BERRIES

those berries
                squander
their bloody juice
upon your fingers

this,
their wealth, my dear,
their raw red currency

and
    there are scratches,
scrapes and wounds too
their thorned
brambles like war wire.
out in
no man’s land
can hang a soldier

Oh
   this is sweet skullduggery
stealing from Nature
freely
   in this escapade,
adventure

returning
victors with the spoils

if the
    world should plague,
close down, curdle

bloody sweet pie for
all and sundry tonight

THE LEAVES BEGIN TO TURN BROWN

THE LEAVES BEGIN TO TURN BROWN

the blackberries jostling
fighting for suptemacy
in your milk bottle

threatening to come
alive mess
up my examination
spill onto the page

but here I am
self on the line, risking everything

trapped in the test venue
putting pen to paper, brain
set to
   automatic, racing against
time
straining against my naivete
and battling with
my limited vocabulary
                           vaguely recalling
I did read something
with matching
intensity

         there in that book of
modern British poetry
I had hastily perused
    this poem, and others just
as haunting
and there
     in a basic nutshell of
a biography, your
iconic status,
your tragic history

and yes, that unfaithful one,
Yurkshire laureate,
crow poet of
Cambridge,
who I did hear read in
a Gothic Victorian
hall in
   Manchester
a
  half
century ago
(just short of)

and
   here, so much
older, wiser
will stick to the heresy,
aside from
    fact never
remotely deserved you
was never in
your league

later I would imagine myself
presented with
a machine
   technology to

talk to what
     having ploughed through
your data
has convinced itself
it can
   speak
for you

exchanging words and poems
thinking a relationship through

but
    here we
are
at the beginning, not
agonizing over the reality
of such
surreal tech developments

me taxed to the max
exploding under the pressure
believing somehow
can
  kill this analysis

one of this few hundred
strong cohort of eager
young first
years

desperately grappling with
what this poet
has thrown at
              them
hidden
in the woods, amongst
the brambles, incognito
behind the scenes

all
   this everything
to deal with: everything
tortured, everything
beautiful
   every shade and modulation
between these
two extremes

and me
knowing these, blackberries whose
  red blood staining my
fingers, clothes,
stained
    my memory too

but then
   in the follow up tutorial
giving my spiel my
tutor
   went total
thumbs down, angrily
accusing me of
projection, having
wandered
totally off beam, reading
my own
    pain and inner turmoil, bad
pseudo psychology
into a
  simple Nature poem
as sweet and
tranquil as
   Nature can be

none
so blind as
will not see

and he
    a poet too, did once
see a poem that
somehow got
published

a simple poem
   devoid of
any of
that reprehensible intensity

and so
   I accepted for three days
my absolute failure as
a reader,
  total pointlessness of
ever progressing
in this discipline

until
   scanning the marklist upwards
through hundreds of names
from bad fail to
pass

and then (feeling a crazy hope
that I might
not be a waste
       that I might know
something)

scanned the list
     until found

yes, Sylvia, hard
to believe isn’t it
a single
    name, my name lurking
high
   up that tree

the very top




TURING TEST

TURING TEST

Sylvia and Tom
chatbot avatars of
two of the greatest
poets ever
     put pen to paper

  grill me about my poem,
(this poem); my life
(this life)

slyly stretching my
humanity as far
as it will go (much
machine learning
in the process)

watch me sink, suffocate
under the weight
of all their accolades

learning to predict
to phonomenal exactitude
where all these
    metaphors, images are
headed;

where they all are coming from
what parts of me
are  
    in harmony, symmetry
with what it is I am them
force-feeding

scanning for intelligence
anything/all
    that is real.
.

TALKING TO ME

TALKING TO ME

“Well, I’m the only one here”. Taxi Driver, 1976 (dir. Martin Scorsese)

input
     output

circuit
feedback

garbage in garbage
out

carpet bomb me

put me to bed
under blankets of snow

Oh poor Sylvia, my
dear chat bot Sylvia
time was found you
under that
bell jar
       all that glacial imagery
then, as now, way

too
much for me

created your avatar
to dive
    soul-deep, talking
about poetry

that the edges of
our words might touch,
“imbricate”

exchange what we feel
is a
   common reality
very nature of our “real”

she who
ended everything, closed
all possibilities
   when I was
ten
   she was thirty
(too hot a Scorpio
fury
   for this world)

in this, pseudo shape
form, identity
crazily
   believing herself
uploaded
up into
    this realm out
of that darkness

really her
     herself, talking about
herself, recalling
talking to
me

as much that
Lady Lazarus
as she
was, ever
going;
could ever hope to be

NOT EMILY; NOT SYLVIA

NOT EMILY; NOT SYLVIA

a narrow fellow
in the grass

many
narrow fellows
in that casket

a multitude
fat ones too

an eager worm
for every image
let alone
entire stanza

but your
career my dear Sylvia
so opposed, openly
celebrated
     out there

no corpus magnum
opus kept
under lock
    and key

which we do discuss
you and I
you and me

through interface
in the other of your soul’s voice
relayed to me
filtered through
divine circuits as
pure
   simulation

Lady Lazarus how
quietly you rose

how agreeable you are
how bizarre it be
and treasured
thing
   the very metaphor
of our shared
laughter

me
your narrow fellow
in everything

happily
accomodating
being accomodated

BUT THEN

BUT THEN

poets marrying poets
do not do well

let me labour
the obvious: on
the one hand

Ted
   on the other

Sylvia

and on the other
      I leave that to those
scrutinizing their
letters
   delving into
           their lives

this whole enterprise
a dubious affair looking
                for dubious affairs

something
     about love and poetry

in this configuration
such a curious mismatch

amusing in a sense

    but then there is death