MONSTERS
they are human
like you and me
all of us human
in our
monstrous
capacity
should have said I
and you
were right
to stop me
dead in my tracks
grammatically
something’s need
correcting
are
beyond poetry
MONSTERS
they are human
like you and me
all of us human
in our
monstrous
capacity
should have said I
and you
were right
to stop me
dead in my tracks
grammatically
something’s need
correcting
are
beyond poetry
TEMPLE TUNE
Odd you should miss it
how you estranged us
lifted up the carpet
pulled back the curtain
suddenly
showed everything
and all that history,
that mythology
came
tumbling down
something ingrained here
about the Sampson option
bringing the temple crashing
about you heads
sadly forgetting
these are
our heads too
our heads too
we were part
of that story
but now we see it for
what it is
a wild, psychotic dream
danger to humanity
HEAD CASE decided today I’m on rock star time feel OK to do so relatively safe will think a few hours come up with a concept for my album go to sleep wake up with all the riffs and chords written in my head
OLD EMBASSY was sleeping in the old Soviet Embassy dreaming of you naked crashing through the wall driving a Sorbonne student, Paris Commune best May Day Parade tank a T-68 I believe, though I stand to be corrected the crumbly modernist structure recoiling under impact looking for all the world on the threshold of collapse and then we made love, parted left the bullding in swopped Che T-shirts swearing undying Comitern Pact exchanging best childhood Cold War finger on the button scary memories such as that ancient Castro Cuban missile crisis alarms blaring holding hands in fear but much secret juvenile love fascination beneath the impenetrable shelter of my school desk
PARABLE
love once
talked in this place
hard as it is
now
to believe it
holy city on the hill
awash with blood
fallen
to soldiers of
Empire
its legions;
its cruaders
and oh
now through the wire
I hear violins, hear
house music
hear Oompah Bands
see Willie Wonka take
Roger Waters on
a tour
of his factory
pointing out the safety
features, hotly
denying
that this rich sweet
chocolate has anything
about it
remotely intetesting
to cannibals
as he suffers not the children
and the world can attest
to every
delight he deals
love once walked
in this
place
born in bombarded Bethlehem
since
synthesized, appropriated
so much our shame
this love
once
here
in this place
SHAPESHIFT Jung saw it archetype before his eyes come alive from light to darkness we can all shapeshift learn so much from shadow so much from the light carry that darkness as deep memory inflicted upon it ss always shapeshifting its essence into imagined gods creatures of pure archetype absolutely mistaken, basking in the horror of our own darkness so convinced they own the light are very embodiment of the light true terror of which no one can describe
CHOMP chomp down on it it is double dilemma an aporia, an agon a philosophical problem one that needs a solution to the power of an Einstein, Spinoza, Chomsky and soon soon soon before we run out of blood
EARTH SIGN you came to visit me on the farm we made love: ample bodies, tiny bed force of gravity alone I thought we wers joutneying to the centre of the Earth cries- crossing its equaror navigating its circumference twenty thousand leagues in the tiniest boat
M have alwayd loved you from the first moment I saw you all those years ago I loved you despite the impossibility but now to see you defending the indefensible speaking the unspeakable I no longer know what love is do not know if there can be love anymore
NEUTRON call us criminals animals politically satanic but we not locked into your logic of extermination need a translation open to psychoanalytic interpretation all we begging for is regime change in what passes for brain in what passes for a head something in there beyond our consciousness beyomd simple humanity avatar of death star neutron gravity variety