IN THE REALM OF RHYME

IN THE REALM OF RHYME

her hair cascaded
down her shoulders
in golden
rhyming couplets

but, as Princesses go
she was a woman
of guile
  and unbridled cunning

needing to be so
for the underbelly of
folktale and
dark rhymes for
children

tell of deep evil woods
where gingerbread houses
call out to
      brother and sister to
eat
  and be eaten

the ones so sweet with
all that hand-in-hand innocence
as every
    evil witch knows
being the tastiest of all

and even
     deeper into the woods
there the gray ogres have
built their
own factory

behind searchlights and wire
setting insane quotas of
aah as
    their target each day

AND GIVE IT UP NOW MR STORMSHADOW FOR RUSSIAN RAINBOWS

AND GIVE IT UP NOW MR STORMSHADOW FOR
RUSSIAN RAINBOWS

a punk
rocker accosted me
back in ’79
in Oxford
Road
Manchester

thrust a book
upon me

told me I
better read it all
all 700 odd pages
if I
   knew what
was
good for me

I snirked
when he
had
   gone
(moment of
cultural
terror
   over)

chuckling at his
madness as
much as
his do-
it-yourself
subversive faahion

Gravity’s Rainbow
felt drowned
by the
extreme sense beyomd
                                 sense
of it

sex and drugs
and V2 rockets

how quickly
tbis nursery rhyme
British sky
has gone
god awful cellophane
is all fall down

CEMETERY ROAD

CEMETERY ROAD
“may not mean to/
but they do”

I’ve read that
this be the Larkin poem

by any metric
it’s a real shocker

give it its due
painfully spot on
must have
   begun somewhere

with Adam and Eve
tragic trace elements
springing out
of the big
bang
catastrophic for
the happiness of our species
                       wherever they
happen to
eke
   out their existence
East, West
North, South
     of the Continental shelf

and so me
      not yet teenage

about to be whisked, nay,
catapulted to Africa
and apartheid
South Africa
at that

far from this little British
cul-de-sac
        joy there in the sweet
English place of
pastoral they
call
   a pastoral

where my father dutifully
taught me how
to ride
a bicycle
      along the tiny tarmac roads
that slither like
snake trails
      (not
weave their way)
between the graves

not much interest in my
life

     this broken life

scheduled to crack somewherw
along the line
                pre-
programned like watch with
Mother, heartache,
failure
      sex sharp and sweet/bittersweet
vanilla, spiced, chocolate,
salted caranel
        melting pot and
set
   to repeat but
not quite
   liks clockwork
 
   
before which
(and before
       post cigarette or
thin after mints)

my father’s little dream
of upping
roots, defining
his Empire

       somehow not
translating

finding purchase, believers,
means of manufacture

will not
     let this poem end as
dead at
    point blank range
as (fuck him!)
Larkin’s does

hard to
top him for
negative inspiration

GENOCIDE


GENOCIDE

genocide
is a
floating signifierl

they do it
do it
we
do it

you do not
however i am
sure
    lcontradictipn
In terms
do not
do it
could  not do it
could not
even think it at all

and while ,  meanwhile,
the soul of humsnity
rushes itself
to rapture
drowning in blood
and viscera

i have to dig deep,
trepan, drill
into skulls scoop
out with dessert spoon

to find any sign or
admissable
evidence

of that
slippery word at all


PERFORMATIVE

PERFORMATIVE

the wind did not find
a door thought solid
much of a deterrence

simply carved its way
across the room

tornadoed about me
as if stairway-aspiring
to go spiral galaxy

was in no mind
to deliver blessings unless
shotgunned, scattered
in every direction
nailing you
nailing me
     the wounds and blood
fresh and sublimely
red as
   if sudden stigmata

and what
    might we do save
self-
submerge and drink it
all in eternal

moment of brutal
beauty so
      almost (nothing
closer)
   beyond everything