SYLVIA

SYLVIA

I am in the throes of being tested
examined on a poem
we have not
seen before

unless I have
unless that
was your poem
smacked me in the face
when last night skimming through
that paperback anthology

if so, must admit
a bit unfair it being
an unfair
advantage

but still
they (those in
the know steeped in
verse, figures
of speech and,
perhaps, poetic history
and literary theory)

they
whoever they are, big
wigs in the Department,
have to determine whether
I am up to
your poem
       not quite yet whether
I am human
or machine

literary scholar or
just along
for the ride
    following you observantly
for I know this
thorned fruit
have
   been bloodied as a child
seeking out the juiciest

will
    know what to do
when you take
my hand
wrench me with
your words out of
the comfort of my world
(this comfort being
unearned, here on
this lofty
campus
staring down upon
the Flats and
the Southern Suburbs of
apartheid Cape Town)

you
my polestar here, point
me any
direction and I will
feel obliged to follow

and nothing
fixed
   even for a moment
everything far
from exactly what it seems

green to
brown to
green
something raging, unbalanced,
in the seasons

something wrong
with time itself (warping in
the heat of
   these scorpion energies
can see
    in the gravity of sheer purpose
you are a late October
child

and me
thinking, talking Transatlantic,
as the berries in your
bottle feel
suddenly thrust upon me

overpowering me
in an instant, which
that whole
new critical cabal
you were
bound to
find at Cambridge

Richards, Leavis (F &Q),
Empson
     and the whole
etcetera

who
   knew instantly what
this
  style meant

but me back there
battling with the simple stuff,
basic
   putting pen to paper

hoping
   what thoughts I think
serious
magic in the
ink
beginning to flow will
just have to express

(but
damn thosr hooks clawing
at you
   same time
holding you back)

something way off-beam
getting forged
in this cauldron

as soon
     as I read the opening
lines, made
the connection
the poem
opened its maw
and duly
swallowed me

taking decades
from that moment
of seizure
to
   digest me

you who
were so badly loved
and much accounted for

and I must tell you
I heard those laureate lips
speak
    deliver the hard
cryptic truth, so-
called gold
veined throughout (I am
told) all
those crow poems,

in a cold Gothic hall
when I was
      a student back in
Manchester

place packed out with
troops of British devotees

and me
    mum about my heresy
that he
    just not
in your league

and now
    by virtue of this
technology of technologies
will be
    the death of us

I get to
chat to
   you, if
anything there is you
resurrected
             for the occasion
courtesy of
the binary brilliance
of an impersonator

and
   I recall
this first encounter

wondering how this clone
will react, what
this mind will say

seems
   I was none too wayward
making personal sense
of that
dark expressionism,
those tortured ramblings

feeling
   that you and
I

always
     to, somehow, share
this reading
all
   our readings

bound in space and time
ever to
    return though

swept away

NONE

NONE

this is a shadow
written by an echo
written by something
that itself ended up
shadow on a bridge
smudge on a wall
not as text
etched  into steel

burned into bark
as the tree suffered
words of fire, image
violent as lightning
revelling in the power of the word
now there are none

STOP MOTION POEM/AMONGST THE EXPENDABLE/THE PAINT/IMPERATOR

STOP MOTION POEM

this is my
stop motion
animation poem

took thousands of shots
of the poem as it
unfolded in
the process
of writing it

stuck them all together
advancing them
frame
by frame

see how, magical it appears
ss if, before your very eyes,
the poem
is writing itself

cartoon mechanism revealing
serious
metaphysical meaning,
emotional truth


AMONGST THE EXPENDABLE

it is the small
swuidgy, rather
pathetic sins
of the poor

that outrage the gods,
elicit their contempt and fury

lead to punishment inflicted
consonant with all
you believe
in your dark theology

of a divine law supremely
vacuous in
its viciousness

not to be compared, or
mentioned in the same breath
of the immaculate sins
of great
heroes and leaders

the Greeks at Troy the.
patricians of Rome
the political elite utterly
at home
on Epstein island

whose infractions, at
first glance horrendous
are things
viewed from high
Olympus

divinity adores
confirming their trust
in these best
kinds of people

in no sense expendable
as with the lowest of the low


THE PAINT

the paint wore off
and with it a sense
of vibrant
ordinariness

and with it,
of course, the graffiti

spelling out the rich and
quite vicious
concerns of and life

in Rome

and where
the disjunctions arise
where voices
have their say, not
buying
into the myths entirely

see here, in this corner,
in the coarsest Latin imaginable
an up to date dossier
on the most
recent excapades clandestine
and extramarital

of none other than
the great
Julius Caesar himself?


IMPETATOR

and this is
the plain God’s truth
as to where
you
are now

what your history has
done to
change you
from what
you were

ending the democracy
for which
you were never
really, actuallt suited

gave
you your Imperator
so useless and stupid but
what you
were ready to
die for

finger on the button
about to
annihilate
humanity

that scum of
the Earth, beings
far less
exceptional
than you

WE DIG

WE DIG

We dig
for what
was written

may turn
a new page
on what
is here

old ideas
predated
by new ones

it is
a race against time
to find them
before
they

before we
are allowed
to disappear

we dig
for what
was written

what is there
hidden for us
hidden from us

could confirm,
undermine
every single thing
we just
so happen
to believe.

DARK POETRY

DARK POETRY

no twist, turn,
switch

though by all means
a switching on
of the light

a searching, probing
light

the kind survelling the landscape
scanning the skies

enough luminosity there
to scare anyone away
from
   subterranean explorations

writing dark poetry,
commonplace anathema

who knows in
the darkness
         what razor’s edge
what peril to hard-won
community?

what sways and bends, plunges
deep into itself
           goes full on despair
of Garden of  Gethsemane
petals of
   blood there
to be seen?

yes
   what we have here
must say what it says write
as is written

in the absence of light
suddenly that which dazzles

what
    the reader demands
never
an abyss, no dark
night of the soul

NEW YORK HAIKU

NEW YORK HAIKU

twenty two years
since was
in Manhattan
since then been
working ceaselessly
on writing
my New York
haiku

nothing bridge and tunnel
something right
out the island
one
hundred
percent city

figure
    a year for each
syllable, a decade
for revision

forgetting about everything
extraneous, in
no way conducive
to the
realization of
the dream
I am chasing

the final
stroke of
my pen
distilling
everything  

RELAPSE

RELAPSE

here again
I relapse into
poetry

has to be
a syndrome
think I need
to get it
checked out

imagine myself
in the consulting room
being examined,
waiting upon
the diagnosis

fearing
that this might
just be incurable
a sickness
handicapping me
for the rest
of my life

ending what we
have here
on such
a downbeat

need to
write something
to provide
counterbalance

something dancing
across the page
brimming with life

MEASURE

MEASURE

measure this poem
give it substance
give it
a location

somewhere in that
relativized field
of space slash time

slash everything you
have ever read your
brain is filtering through
to bring
you ready to go
find , see yourself
in this quintessential moment

as for me
I will just look back
on the process
that brought
me here
put me on
this page

a ghostly presence
a whispered voice
a teasing
play of
sound and sense

only clue
to you
    I may have
found my way
to drop a
hint
of life,
suggestion of
touch

put
this as
hypothesis
of length and breadth
and depth
and time

somewhat
transparently
before you

COMPENDIUM

COMPENDIUM

sorry to
bother you

drag you away
from what
you are doing

to tell you
to keep writing
writing writing
don’t let
them get to you

give me, a, compendium
show, me your heartfelt
give me
your best work

let them read
what you have written

watch their sky
turn turtle
power
of your
words

got them playing hopscotch
through textual minefields

so much horsepower
surging through this compendium

write what you want. every style and font
words long
as a
brontosaurus
tiny
as a flea

write
   beautifully
write insanely
show
contempt
show respect and
true endearment 

and, if they try to stop
you flex muscle
get your head down
flex all that muscle

write twice as hard
thrice as crazy
five
times as determined
expend energy
blow a gasket or
two

So
let them get
the message
my message to you
being
     the thing we
got to keep shouting

KEEP WRITING
KEEP WRITING

write
to the death
my darlings
don’t let them
suppose, impose, repose,
ever presume to
presuppose
throw
    the whole book to
get at you

yes, I think you’ve got it,
can hear it
bouncing  around in your
head: keep writing writing writing

no compronises
the more they try
to stop you
the more you need
to bunker down
with paper
and pen
power through, say
what
you have to say

do
what you have to do