RHYME MINE

RHYME MINE

turned over a stone
was expecting
a scorpion
found
a solipsist

expecting
a scorpion not
my totem
or taboo

in which case
should have
thought fish cusp
with ram
   and asp
would have been apt

but as sepent kind go
I do like to flatter
myself imagining
I must, could
be a mamba

a syllabic or alliterative few
metres of snake

claiming you as mine
as soon as cobra eyed you

swept
you into my coils

bade you, forced you
to teach me
couplets
ever-steady rhyme

turned over a stone
not expecting
to make
acquaintance

DEMOLITION

DEMOLITION

am
playing the game
DEMOLITION

not to be confused
with the poem
or the sometime-
to-be-finished
novel
of the same name

have so far today
clocked up
millions of kills, soon
to break
my own record

expect
globally, out
in the real world,
people lining up
to get
inserted into
the game
assume the identity
of a key character

as for me, however,
being just
    your run-of-the-mill
addict

could not go
so far, invest all that, make
that level of commitment

live
total fight or flight
from
   shockwave
to shockwave

beyond my mental
emotional capacity
to play
   dusk to dawn, dawn
to dusk
(possibly for all eternity)
from a first
person perspective

right now right now
as we hit
      the last stanza

I am somewhere in my mind
playing the DEMOLITION game

TECHNICAL

TECHNICAL

let this
be a breeze

a zephyr if you will
whistling around
your ears

better use
this term respecting
your
preference for
the physical

wish
to be technical

perfect weather for kite
and magic carpet alike

swing-
       wing metaphor

exact
careful prosody

plotting your flight path
to the end of the page
(unless
     such velocity

you escape
      to deep space)

EASY

EASY

poetry is easy
you
just write it
and there it be
it is there

look at these
lines for example
nothing here
of note
what
could be easier?

everything open
totally transparent

complete absence
of the overly complicated,
tricky metaphor
hint
    of theory

stuff that might
mask, deflect, expose,
distract,
       misdirect

present you
with who knows what
confusion, dissonance
about
   the nature of
your world, the world,
and who in this
world
      in fact you
thought
you really are

get you to stay
from what you
know
   to be true

were
told to be true
in heart and
soul
      battle of
hearts and minds along
strictest of lines

between which
should not read

so easy to
read these lines

miss yourself
falling between them
   
there
     
you

    be

have always been
there it lies

BLESSING

BLESSING

I chiselled this poem
out into stone

laborious work
but it
felt worth it

wrote the whole thing
with a stylus cutting
markd into
clay tablets

spray painted
a whole stanza
in plain view
on the side of a building
in the middle of the night

daubed
it in blood
desecrating a flag

keyed it in electronically
pressed send and
believed it
published instantly
bouncing across the ether

whispered it into
your soft
ear

typed it out with suddenly
agile fingers
observed it flow
across your body

taking
it
to the house

point of truth where
you are at your most receptive

most fully conscious
of how
transcience here
comes into play

poem
be both blessed and
doomed
to disappear

UNTIL

UNTIL

poetry is
the easy way

simplicity itself
line

of least
resistance

a quantum wave
of words
about to
flow

no huge
necessity this
be

in any structured
shape, size
or form

any
particular direction

in your head
mon lecteur acad-
                 emique
length
     of line
geometry of page
                slice and dice
of caesura
stanza

and here
we have a bitch of a poem
that refuses to budge

your fingers hovering above
the page
      a picture of frustration
portrait of
inertia

nothing ever seemed
so impossible
      until it didn’t

nothing even
   beginning to flow until
it would
not stop

poetry is difficult until
it isn’t

poetry
   is no way
easy

until it is

until
(out of nowhere)
it writes itself

COMPOSITION

COMPOSITION

pass me your pen
and I shall note down
those distances

the chalk on the blackboard
having list its imperative

the writing
on the wall changing
the moment it
gets written

the truth of relativity
not yet board-dustered off
yet already
done and dusted

and how many tiny white
flecks
   look like motion-
captured stars, galaxies
in their movement?

at if
squeezing
the truth out of us,
pinching our analogies

the Universe were
writing us
writing the Universe itself

putting us
into, pulling us
out oh the picture

trying to figure out
which composition
works best

which
makes the
most sense

SURRENDER

SURRENDER

she wrote her poem
every metaphor
bullet-pointed

every syllable
metal-jacketed

every image
a grenade

when she let rip
a whole belt, an entire clip,

out of ammo
she had nothing left
to attack
           defend herself with
not a word
to work with

her critics sensing this
out of blood
    moved in
for the kill

forcing her surrender
unless
    there was no surrender