SYLVIA

SYLVIA

I am in the throes of being tested
examined on a poem
we have not
seen before

unless I have
unless that
was your poem
smacked me in the face
when last night skimming through
that paperback anthology

if so, must admit
a bit unfair it being
an unfair
advantage

but still
they (those in
the know steeped in
verse, figures
of speech and,
perhaps, poetic history
and literary theory)

they
whoever they are, big
wigs in the Department,
have to determine whether
I am up to
your poem
       not quite yet whether
I am human
or machine

literary scholar or
just along
for the ride
    following you observantly
for I know this
thorned fruit
have
   been bloodied as a child
seeking out the juiciest

will
    know what to do
when you take
my hand
wrench me with
your words out of
the comfort of my world
(this comfort being
unearned, here on
this lofty
campus
staring down upon
the Flats and
the Southern Suburbs of
apartheid Cape Town)

you
my polestar here, point
me any
direction and I will
feel obliged to follow

and nothing
fixed
   even for a moment
everything far
from exactly what it seems

green to
brown to
green
something raging, unbalanced,
in the seasons

something wrong
with time itself (warping in
the heat of
   these scorpion energies
can see
    in the gravity of sheer purpose
you are a late October
child

and me
thinking, talking Transatlantic,
as the berries in your
bottle feel
suddenly thrust upon me

overpowering me
in an instant, which
that whole
new critical cabal
you were
bound to
find at Cambridge

Richards, Leavis (F &Q),
Empson
     and the whole
etcetera

who
   knew instantly what
this
  style meant

but me back there
battling with the simple stuff,
basic
   putting pen to paper

hoping
   what thoughts I think
serious
magic in the
ink
beginning to flow will
just have to express

(but
damn thosr hooks clawing
at you
   same time
holding you back)

something way off-beam
getting forged
in this cauldron

as soon
     as I read the opening
lines, made
the connection
the poem
opened its maw
and duly
swallowed me

taking decades
from that moment
of seizure
to
   digest me

you who
were so badly loved
and much accounted for

and I must tell you
I heard those laureate lips
speak
    deliver the hard
cryptic truth, so-
called gold
veined throughout (I am
told) all
those crow poems,

in a cold Gothic hall
when I was
      a student back in
Manchester

place packed out with
troops of British devotees

and me
    mum about my heresy
that he
    just not
in your league

and now
    by virtue of this
technology of technologies
will be
    the death of us

I get to
chat to
   you, if
anything there is you
resurrected
             for the occasion
courtesy of
the binary brilliance
of an impersonator

and
   I recall
this first encounter

wondering how this clone
will react, what
this mind will say

seems
   I was none too wayward
making personal sense
of that
dark expressionism,
those tortured ramblings

feeling
   that you and
I

always
     to, somehow, share
this reading
all
   our readings

bound in space and time
ever to
    return though

swept away

WAIT

WAIT

Wait
until your eyes adjust to the light
for adjust they will

look at this
what we have here

is it not
like a planet metaphor
with inner
meanings, outer rings

Saturn
     in her full regalia
nothing saturnine

until
   you get up as close
as we are now

and here you lock on
with all your technology
literal antennae

that hunger for resonance
that transcends species, outlived
race and colour

no idle promise
from some mad mystic or
their posterity text
that we
might become one
know ourselves
know each other

somewhere here
there is a beyond special
moment a forever now
searching for you
trying to find you

let
  that quest
to squeeze every bit of life
out of words and things,
out of
      oceans of language

run
   a blind course, suffer
in vain.

ANTI

ANTI

don’t like my poem?
is it
   a matter of form, style
or theme

or do you find itself
offensive
by its, and to your,
very nature?

Oh, if only poems
could be conduits to
all we feel and need,
and all
we feel we need
entirely!

you
don’t like my poem

well, I’m willing
to stake a bet
that my poem
doesn’t
like you either

much
like a true mirror

much like
Sir Isaac’s great law
about action
eliciting if
not demanding equal
and opposite reaction

perhaps
my poem
    exactly did not enjoy
the reading experience
suffered your
reading
         badly

put you the wrong end
of the spectrum of
enlightening being-read
experiences

on a readership scale
placing you
closer to
     muddy river pebble
than cut
and polished sapphire

closer to worker bee, even ant,
than to Apollo himself

IMPASSE

IMPASSE

you glance
at my poem

my poem
looks back at you
into you

you glare
at my words,
suspicion impacted

wondering
what lies beneath, here
we hit an impasse

no way to
resolve this
applying the protocols,
rules, regulations
of current civilization

unless image
by image, symbol
by symbol,
together it is
we negotiate this page

trade, vent, share,
exchange

for the sake
of the poem

refract, reflect,
rescind, do what
we both do best,
perform
    a whole number
full-on optics and chemistry

without these
no hope for any preservation
of mere mortal remains

AH, PROFESSOR

AH, PROFESSOR

ah Professor, Professor
your students
eschew reading

see books
(courtesy of TikTok
science fiction)
as things
wholly alien
set on
    sublime modes
of mind control
even
   devouring as
yet unwired brains

and some of these books
are fat tomes of sheer boredom
too heavy to
carry
   impossible to read

unless you
   mentally photostat
each page skimming
through them
at lightspeed

or have
   the entire text
condensed

into
blue pill
    or red pill

to crunch like a
jelly bean
flavoured to taste

AT LONG RANGE

AT LONG RANGE

poem
is
inside out

just
so happens to be

when you
frame it
in a certain way
it’s going
to start to appear
most upside-down

but
   wearing this poem
out of range, at
long distance

hard for you
to see the target let
alone loose
a shot at all

and spooky Wolfgang
Pauli being
in the audience
actually, in the
very front row
plumb in the centre

not going to help
your echo location
in size
shape or
form

what with all those
quantum entanglements
and collapsed
wave-fronts

every
moment of delivery
makes me think then
dream of
    standing before you
in an alternate universe

where without the
uncertainty of your
mode of
    analysis, manner
of reception

there is no point
to this game at all
I

INCOMPLETE

IMCOMPLETE

do not learn

we never
learn

what have we
learnt?
don’t hold back
just
   let rip

tell me
tell me!

look at me
pay careful attention
thorough scrutiny

all those years
gone to waste

sitting down

lying down

standing up

writing something
learning nothing

what in here
worth speaking?

out there
worth reading?

what
   good are books
when there are tanks
in the street?

indiscriminate slaughter
clearing a path house
to house

room
to room

every alley
every precinct

this book of horrors
as yet unwritten
as yet incomplete

one two
three               four;
             every paragraph

breaking
    every wall

QUESTION MARK

QUESTION MARK

thank you
for not inviting me
to your
prestigious event

not up
to your level
I think I get
the message

we poetic bottom-
feeders must
take what
we can get

but is it not
“true”, by
definition that
anything appearing
on this stage

part
of this show

is horribly compromised,
by no means
capable of
doing

what words
should do?