RUIN

RUIN smooth so smooth we aiming at connection, continuity, threading stars together but across that ancient sea another Troy is burning a people scattered a tale to be told a tale of legend a tragic tale where the gods stood idle those that did not brutally interfere so smooth in this moment of possession and yet we thinking cannot help but think of all that we know of this civilization stacked with heritage and yet centred on all that defines us in these myths and legends of Troy and Carthage Alexandria and the Levant ploughed under, erased by the victors we seek out that history from the depths of their ruin so smooth so smooth the stars that brought us here

NO EASY MEASURE

NO EASY MEASURE

there are many ways
to start a poem
maybe an image, a theme
a rhythm
    bouncing
around in your head
snake-like
    rasp of  word

many ways too,
to enter a poem
linear or
       non-linear
syntactic
or symbolic

feeling your way
set to full tactile

             or up
for helicopter shot
to view
    as mosaic
put
everything
in perspective

then
fill in the detail
                induced, deduced
seduced
at your pleasure

although
          linger on
this thought
if you will, let us dissect
this
dark treasure

only
fair to point out,

to leave a poem, however,
(speaking
      of seduction)
is no
easy measure

here is the poem
here is we are
                     unexpectedly
together

not so many ways down
from that height
this height,
routes
     out of the labyrinth
                              this
labyrinth

safe and
   without cost

hardly enough
    to count on the
fingers
of one hand

so many surrendered
to the poem, dissolved,
got
   absorbed by
poetry

something about
the beauty
    of this python still
to comprehend

as it
   closes the circle
you now mine forever

CHUTE

CHUTE

if we were
aligned skew
       during manufacture

and so conjure up
a monstrously concocted version
of original divine image

what hope is there
for us to unentangle

the moment of beauty
is exalted
     but passing

no sooner gone than
    plunged headlong again

into
theme of survival

Ah, the cycle:

flameout,
         parachute

rip cord
    again failing

nothing to steer you clear
you clear  of those onrushing rocks

about
  to hit you at terminal velocity

all I can do
       for you: this
         song of regret

MERELY

MERELY

chill!

it’s just
a poem
will go

the way of all things

not as if
in this or other simulation

you are playing white
against a dozen black mambas

or
at thirty seconds
trying to out-think, out-run
scorpions galore

outpoint everything that
threatens to make a meal of you

get out of jail
stairway yourself to
Heaven free

over the chaos of life
exercise
sole monopoly

so
chill!
just chill!

it’s just a poem, merely,
will get recycled

we all
get recycled

is the very nature
of the game

NOT TO CONCERN

NOT TO CONCERN

mystery planes, crazy
ambiguous figures
suspect characters

appearing and disappearing
popping in
and out of existence

later we shall be told
move on
move
on

nothing to see here
nothing of interest

do not concern yourself
what you are looking for
is at best
speculation, figment
of your imagination

how can there be
a story to uncover
an
astounding narrative

no words were ever
spoken about such things

in every dimension of
space and time

these are phenomena
that never existed

SLURP

SLURP

I drink your
strawberry
chocolate
salted caramel
hazelnut
even
      vanilla milkshake

slurp your sarcasm
as if
    it were melting ice-cream

munch your foaming banana
fudge

as if
it were
direct from drug store spigot

sweet Vesuvius, blessed
Krakatoa

fallen
    like hot manna
into my lap

        swirling like
          a spiral nebula in the
machine of your receptacle

thoughts
            of cosmic body horror
subsumed by the

rush of your
            sudden pink
flamingo
        sugar

treacle and absinthe.

TO BE FAIR (BUBBLE)

TO BE FAIR (BUBBLE)

to be fair
not right to condemn you
                           just so

change your landscape
alter a few
     dimensions
can get you

         to believe anything
Nietzsche has, I believe,
         a clear advantage over Socrates
in sticking with this

caught in your context
            lacking the acumen to escape,
or height to
      see over the parapet

soon your environment surrounding
you like a hemisphere, a sphere,
a bubble
        and that, in truth,
is your whole world

        and my world too, and all
our worlds if you had any say in it

not for not speaking and coercing
have you failed in that regard

                 still it sometimes looks
almost pretty, though, observing
from the outside how
        light refracts within
                        your bubble