
GAMBIT GAME


MAIN LINE (THE KASPAROV VERSION)
feel i have been
here before
but after the first few moves,
main lines of the opening
all the possible
permutations of the situation
make it a mathematical
impossibility near
exactly certain
such nuance, subtlety,
precise artistry, infinte
calculation
in this rectangular game
of squares and
wooden carvings
from crude to most
elegant a regular
box of
delights, of wonderful,
well, surprises
and painful defeats, failures,
steep learning curves
things you
fail to
see (way beyond your
ELO rating)
but Tal saw, Fischer saw,
Magnus Carlsen sees them
with stunning
predictability
and Capablanca, my Cuban
maestro, saw them shifting
knights and pawns
across a table
under a palm tree
dreaming today’s moves
during yesterday’s sleep
when he
sniffs an opening he
is in
to take advantage
like the ocean
not
like someone we could
not possibly name in
such chess
circles
splashing around here predictably,
ankle-deep in a derisory
little stream

CHESS HYPERMODERN
rooks be chariots
and queens
are aircraft carriers
or used
to be
dead in the water
she be
missile vectoring in
on her
down the file, across
the rank
along her sweet open
diagonal
hypersonically
CLOCK THIS
I glare
across the board
at you
my need
for victory
my need for redemption
though not
necessarily
a queen
sacrifice
there is in chess
almost always
a really
good move
perhaps even
a best move, a
brilliant move
hiding behind it
submerged in the patterninf
and yet in plain view
clock ticking while
I rack my brain
to find
my moment
of mastery
the beauty of the pieces
finely carved, exquisitely
molded
expanding the brain
Star Child style
to
the edge of consciousness.
ENDGAME
playing chess
whilst our liar leaders
think about war
at the summit
of their lives
you don’t have
to be Bobby Fischer to
win
a nuclear match
just a matter of economy
and who makes
the
signature
sacrifice
puts it all out
there
tempts into an atomic
no-holds
barred
pawn gambit
GRAND MASTER
I have read
followed, listened to
so many
Grand Masters
but none
have ever addressed
the right opening
to choose
and the strategy
for the middle game
and
endgame
when playing
chess against Death

WON
we came for the big game
met on the intersection
of Meridian and
Equator
we sat for the battle
you
waited in awe
they remained standard
first,
before a piece touched
they insisted on rule changes
make the game more equitable
in other words
their game more powerful
bishops
and knights
should be made invulnerable
echoing their
feudal
reputation
(“especially the white squared one”:
someone chirping
from the corner)
and then
it had to go, whole en passant rule
as unnecessary compromising
defences
and when
Kings castle on the back rank
strength of rook
alongside be
doubled from
five to
ten
to echo their supreme
nuclear strength
we came for the game
whole world watching
what
a shock it was
the day we won
WRONG
you have
us wrong
you do us
wrong
we are not
the head or leg
or foot or
arm of this
thing or
the other
thpugh we may
undsrsand them
better than
you do
understand you too
better than you
understand yourselves
who once gave us
a weapon
to destroy ourselves
.
across a chess board in
the endgame
all of one player
use it
to anniliate all
of the
other
except, by
grace of God and
the smarts in our head
you saw us
met us in court
working together
despite your insults and
cheap shots
so clearly
to your detriment
unless you learn
what we have you learn
would teach you good
the way is bad
but there is another
MR GLADWELL
Oh Mr Gladwell
I am playing chess
writing poetry
writing poetry
playing chess
playing
poetry
writing chess
my brain has become
a RORSCHACH blot
there
is blood all over
the board
strange body fluids
all over the page
wanted to be a kind of genius
but I’m dissolving into
nothingness
Mozart composing symphonies
still at the breast,
working out
the arias for his operas
from within
his pauper’s grave.
