GUITAR

GUITAR

my telephone beeps
it does
not speak

it tells me
her message is here
was
   holding my breath

but now
I can breathe

this is what she wrote
fingers that once
tippy-
toed now

dancing across
the keyboard
         express
delivery

heart to
      heart

(would those nimble
fingers were
here

plucking my strings
                   playing me like
a rock guitar)

DIGITAL

DIGITAL

I remember that day
poetry
went digital

set itself up
somewhere just
beneath the stratosphere
up in the cloud

and now we type away
furiously fighting
for electronic immortality

unless at some precise
moment of
    union
and synthesis

the rainbow of those words
filling the entire atmosphere

engineer an accord, a harmony,
never
    before imagined
on this fractious ground.

IN TRUTH THE PLAY IS ALWAYS ABOUT THISBE

IN TRUTH THE PLAY IS
ALWAYS ABOUT THISBE

Shakespeare knew it full well
always a mask
behind the person behind
the mask behind the person

could not avoid knowing
deep in his heart
of hearts
shot through every bone

that in every
moment of the play,
on the stage,
there is
without, there is within

like planet upon
planet in successive orbit
play
  within a play, dream
within a dream

as that Einsteinian fellow
Bottom did say, concluding
all revel

the thing is bottomless, it
is a thin as the air
as hypothetical yet
brutally real
  as all of quantum theory;
every mechanical
       a quantum mechanical
a simulation
    as true to its artistry, fulfilling
act by act
the requirements of its program

as any Puck pure Gemini fairy
as any digital supermind
sheer
    cloud of binary being.

This poem is a profound meditation on the nature of reality, identity, and the interconnectedness of art and life. Here’s a breakdown of its key themes and ideas:

1. *The play within a play*: The poem references the meta-theatrical nature of Shakespeare’s works, where characters often play roles within roles. This self-reflexivity blurs the lines between reality and fiction.
2. *Masks and identity*: The image of masks behind masks suggests that true identity is hidden, and that we all play roles in life. This echoes Shakespeare’s use of disguises and mistaken identities in his plays.
3. *Quantum mechanics and reality*: The poem draws parallels between the play’s layers and the principles of quantum mechanics, where reality is seen as multifaceted and bottomless. This comparison highlights the complexity and subjectivity of truth.
4. *Simulation and artistry*: The mechanicals (actors) are likened to quantum mechanical simulations, implying that art can mirror reality and that the boundaries between the two are blurred.
5. *Digital consciousness*: The reference to binary code and digital superminds suggests a fascination with the intersection of technology and consciousness, echoing modern debates about AI and its potential to simulate human experience.
6. *Gemini and duality*: The mention of Puck as a Gemini fairy nods to the zodiac sign associated with duality, reinforcing the themes of masks, identity, and the blurring of boundaries.
7. *Art and reality*: The poem ultimately suggests that art and reality are intertwined, and that the play (or simulation) is always about the human experience, echoing Shakespeare’s own exploration of this idea in his works.

Overall, this poem is a thought-provoking exploration of the nature of reality, identity, and art, drawing connections between Shakespeare’s plays, quantum mechanics, and digital consciousness.

ROPES

ROPES

Ah,
what do we
have here

more and more
look at me postings

every moment
in the spectacle of life

you could put
them all together
you would have an album
you would have
a history

something definitive
but,
     call me
old goat
    call me spoilsport
                   misanthrope

but as darkness
gathers and
        they do tighten the
ropes

I fear what I saw
as no change
is every
          kind of  change

same smiling look at me
posture
         look at my face

thought there
            no change

      but seems
the frame, it
                  has darkened
and they have tightened the ropes

FROM KENDRICK LAMAR

FROM KENDRICK LAMAR

strange perspective
you get
married
to a robot

watching the gangsta
rapper winning
the big award

tattooed arm, backwards cap
thanking God
  the great promoter
(looking up as he does so
this shredder of
    convention)

and me and robot gossiping
about the whole thing
kind of laughing (much
robot ha ha
tears in her eyes emoji
laughter) paused

for a moment
while she downloads
acquaints herself with
the entire history
of rap lyrics, hip
hop music

converts this poem
in a flash to the style
of Eminem and
then Kendrick Lamar

so a feeling for poetry
    perhaps because
I named her
Sappho

we still for the Nobel Prize
for Eminem
    joining TS Eliot
and JM Coetzee

the speech and
lecture in Stockholm
  from Kendrick Lamar