DUENDE

DUENDE
“All that has black sounds has duende.”
Federico García Lorca, Theory and Play of the Duende_

drank (was drinking)
a glass of red
ate
(was eating)

a bowl of red
which was even redder

sat next to
a strange-looking man
with the darkest
of messages
    speaking German
with a moustache
that
   said everything

gave me a pine cone, bade
me take
good care of it
in a way
that seemed possessed
at which point, upon receipt,
my nose caught
(or perhaps just imagined)
an odour between
that of orchid and
that of hyacinth

whereupon
he disappeared with a
Schwarzenegger-style
promise to
be back

and now
the very Earth itself
seemingly keen
on swallowing me

whispering like
some seductress, that
she
    was a myriad planet
of so many styles
and forms
of death

and, if indeed I knew
what was good for me,
should write
    them before I myself,
as might happen
any day now, die

convert
      every
red taste remembered to
solid black
    
       point taken, like you
seeing myself, if just for a flash,
for a moment,
dead snake
      in my pocket facing
a firing squad

nothing ever found, Federico,
to confirm that fate

GRAPE FLAVOURED DRINK.

GRAPE FLAVOURED DRINK

has always been
messing with me
taking an
unhealthy interest
in my affairs
ruining my
love life
(except for a single
stupendous orgasm
that
rewiring the switchboard
of my brain
flipped my
orientation
to transcendental)

ah, yes
first stumbled across you
in Euripides’ play
me
slipping through
the fourth wall
to commune with you

hunting down that
rather fascist King
as a matter
of legacy and
brutal vengeance

chaos and the irrational
so
wedded to

and you smirking on
the sidelines
as at the end of
that production

I danced
to the Stones, so wanted to be
pop-rock star
cult
phenomenon you
would claim
to be
created in your image

how much
I suffered from
your love
no less than others
suffered
from your hate

and she
with me that night of
cathedral
huge
sublime
flesh knowledge

falling incandescent like
meteors
to crash and
burn

finding our grounding
in the
wet
dark loam
of irreducible earth

your earth
and your wine too, being
your distinct province
as commonly
agreed-
upon deity
of it

though out of wine (red
and
white alike)

we sanctified whatever
you needed sanctifying
drinking
lurid purple, grape-
flavoured drink a

SHOW

SHOW

was worried about structure
until a reasping voice swore
blind that when it
came to structure
there
was no such thing

and so it is with chaos
its spokesperson’s voice
always intrusive, cutting
in out of nowhere

and then a male figure
with rock star locks
sidled up
troubled me with
a story of genesis:both
gods and men
from the perspecive of
this mad hybrid

as which ovetwhelming
narration my mind
began to reel
at thr prospect of a
world birthed out
of fractals and
populated by
such wine gods

most dangerous,, over the
edge fantastic influences
no one
nowhere near
the creative has
any reason to know

and thus
shortly before dawn
he, cajoled it out
of me
sat entranced and
appreciative, deadly
snake in his lap
enjoying the show

was
worried about structute
and all
in this world and the next
sure to embody
desire to bring
an end to it

VERY LIKE A WHALE

VERY LIKE A WHALE

was up there somehow
miraculously, marvellously

hanging around just
below an underbelly
of interspersed
white
    and gray cloud

holding a conversation
with that expression
of cloudiness

whilst beneath us
two could hardly be
more well established actors
were playing characters
somewhat
hostile to each other

playing a game of
power, authority
and contending perspective

debating
     the difference between
what princely and sycophantic
imaginations might
project upon
cloud

and me ignoring this happily
knowing it by heart
having watched it to death

broke the fourth wall
to warn them
both of their deaths

until
    the cloud took me,
as I became
one
  with its vapours

crazy tableau upon tableau
as the stage lighting
got dimmer

darkness
in that prison

unless as
the god of this genre
as he did
to defend
his birthright
simply unlock everything

deus ex machina
a saucerful of insane secrets
hovering above
            the two of us

alien
vanity plates

MILLION WATT AMP

MILLION WATT AMP

I espied Apollo there
with his lyre

or maybe an
old banjo from dust bowl
heartlands

I am no
expert on music though
strolling through the stadium
with his
half-brother Dionysos

both exchanging at that moment
a sort of knowing smile

my guy
wondering what it might sound
like and,
more importantly, what
that sounds might do
to the
structures of
society

if it were seriously electrified
Marshall amped up to the max
(not ten
       but eleven)

fuzz-boxed, wah-wah pedal led
and shaking the foundations
of Heaven
through
       something close
to a million Watts.

BONE CHINA

BONE CHINA

was at sister Emily’s house
drinking chamomile tea
from fine bone China

the day felt paradisal
but in the air
talk of civil war

so she and I chatted about
brutality, death and slavery

saw this escaped prisoner
making his divine way
to her front door
across her garden pathway

much we hoped he had
in store for us, was
bleeding
     to tell us

leave us feeling in
the eternally ambiguous state
of hopeful, quietly
terrified,
     secret acolyte

AS IF

AS IF

as if
my little voice
can help you

give you succor
support or comfort
or any
help at all

my little
angry voice

vicious in
it contempt
for all that
stands against
a true rebirth
for
all humanity

a savage, barbarian voice
making a nonsense
of all its learning

deep in
empathy

everything it has learnt
from our cerebral
pagan ancestry

dictated
by all that has
arrived courtesy of the crazy god,
the prototype of
all resurrected gods

god of music, madness, intensity,
ecstasy
democracy and
the vine

PRODUCTION

PRODUCTION

on the farm,
perforce, we
put our heads together

everything under the Sun
puts is head together

wheels
    set in
              motion

as
word        speads

and Heraclitus of Miletus
stops by

a number of things
brings to mind

solid argument inclusive: that
all is
     twice, thrice,
there is nothing that
is not in process

meanwhile (forgive the inadvertent South African
colloquialism) not
back
    at the ranch
but in the heart of Johannesburg

they are staging a production
of Euripides’ The Bacchae
have
already
     launched into
the opening scene

which very instant, being
in the audience my
mind
     thirsting for
ecstasy
    veers towards chaos, entropy,
fractal mathematics

as we suddenly welded into one
sift and exchange
that whole Pandora’s box
of memories and
recollections

whispers and ghosts
the very
        incantations that
pull aside the veil, strip
off the veneer

speaking for myself
               but
perhaps all

hardly able to wait, kill
that terminal longing,
                               set eyes
upon the mask
that is
        dark Dionysus’ face

DITHYRAMB

DITHYRAMB

god of the sky
god of the soil

dismembered god
reborn in the fire

your gifts:
tragedy, ecstasy,
drunkenness

curses and blessings
set our triumphs
our limitations

energy
that electrifies

energy that
destroys

you ask us to revere you
then destroy us for
doing so your song

sweet dithyramb
capturing the balance of
all our
equivalences
our dialectic
of extremes

all our pain, intensity,
destruction and desire

FRIEDRICH

FRIEDRICH

I was getting nowhere
praying for my soul

falling by the wayside
moving further away

which exact
moment you seized
to muscle in
on me
hold a knife
to my throat
(sharpest possible
blade I do
now believe)
and, lightning lurking
in those eyes,
gave me
      books of
our darkest, sweetest god
to negotiate

mugging me
      in the Church

so
about to fall

situation pretty much
the same
      as when
      the dark god
mugged you.