DEMOLITION JOB REVISITED

DEMOLITION JOB REVISITED

breaking rocks off-shore
out on a flat precipice
in the Atlantic

have
   written that poem
wrote it
years sgo

am coming to grips
with what it is like
to feel
alnost broken

but now
roll the film back
yet further

recorded history
years of
home video

the Sun this day
brilliant beyond brilliant
as horrible
   an irony
   as it is to say

my Mother’s voice
am overhearing

telling someone eager
to listen
    they knew what
this place was like
they knew what they
were coming to
            did they not know
what to expect

front page
      back page

centrefold spread

Greek chorus
            gossip horror
the shock
the shame
              character assassination

and they
       or rather he the husband
having Army training
explosives, sabotage
blowing up
                things behind Nazi lines

now
out there consorting
with the men of shadow, figures
in the night
feared
    shape – shifters

blowing up pylons
disrupted the sacred electricity supply

and me
    that night all night
hearing the Indian Ocean waves roaring in to
crash on the shores of False Bay

so much Sun here, Sun
Sun

Sun for everybody

this man and his
accomplices
    attempting to take
this Sun
away

this
   brilliant Sun
of white and golden beach sand
horrible to say

****

sixty years
and we have crossed them
in a heartbeat

so much of that time
faintly remembered
not even
taught in schools
(sad that
somehow we
have so relegated history)

but now
a different narrative,
               a whole different narrative
a whole different way

of thinking of ourselves, this place

and how
we came here
      stifled, imprisoned,
imposed our colonial mindsets

stuck our future in tiny cells
on an island in Table Bay

for long
bitter decades fearing
no hope of solution, no path
to a liberation
that migh
   
allow redemption

a moment of memory
viewed
            with
a self-
forgiveness 

graced by the acceptance
of the perspective of great change

****

and here we are
my dear, absurdly conversing
in the light of all those years

democracy waiting
     in the wings, or rather
on an inhospitable island

time
   become its true essence
as pure
duration

imprisoned consciouness

until
   it was not

you born
in the year of its ending
of the release
salvation

far
  from its memory, vague
on its history

of the swirling eddies and currents that
despite every counter-
possibility produced

a dawn, a new
day

and now
        history has done
a demolition, removed
those back-then voices
that spoke with such
blind conviction,
presumed authority

as
   it slowly, inexorably
whittled me away

ground me
pulverized me
all
   that could not be ship-shaped
grist to that mill

cut
down to size

****

But hey, not so fast!, hold
those horses
hang on
     if not a New York minute
then a
Cape Town moment

but across
       land and ocean

the old monster
has
    found lease of life, more
hideous incarnation

the drive to inflict the worst
of which we are possible
on fellows
of our species

as they, we
did back then

    would have done to you

(and now this voice
those voices

        who do
they belong to, what
                  are they saying?)

someday
truth and beauty, long
liberated

           going to here abide

IN PARENTHESIS

IN PARENTHESIS (BROKEASS DONOR CLASS)

I do not
      delight in
vanilla

my racial category
(such as they are)
       being “indistinctly
and yet
purposively unwhite”

was born
      in the night but
with
  dawn on the horizon

yet cannot now see
but in
    softest shadow
or brightest light

my blood type (for
your convenience)
is type
   universal donor

and am
(I believe)
evolving fast
before I die

the whole of everything put
in scare quotes
in
   parenthesis

PERFECT SENSE

PERFECT SENSE

they returned
from the stars

less than
gloriously poetic
but who
we were we
to tell

expecting free gifts
not extenpore pastorsls
and sonnets

our highest virtue
being utility itself
their
   ultra violet skin tones
and much
    mutated fusion of
every dialect of English

made everything they said
every utterance
they made

much like their poetry
and what
they revealed of
their world

something doomed in our ears
to fall desperately short
of true
   perfect sense

****

RAW

RAW

poem
is chimera

its own system
supernova

is basic and fundamental
sinulation of the real

is Hamlet staring at a mirror
shocked at how
it looks back at him

as species
of the real

is that reality you
wished you had, wished you were
best and worst
in its class
for supreme transcendence

also for all that
otherwise there in
the down and dirty

the flesh of things so
succint when earthy and raw

JOHN

JOHN

Ah, John,
the smoke got you

did what German steel
and flame
could not do

I saw you with
my big little eyes
down in your cellar worship
a year or
so
before you died

those same little big eyes
fastened on a Vickers
belt-fed machine gun
fastened high up
to that tall wall

what tale of fear and bravery
life or death it might
have been
able to tell me

if it could speak
    but you did not tell
me anything at all

whilst you found
wheels and plank and
purple paint for my push cart

coughing worryingly
as you worked:
such a together, purposive,
engineering man
       given his
mission requirements by
his youngest
daughter’s eldest son

my single real
abidng memory

IN TRUTH THE PLAY IS ALWAYS ABOUT THISBE

IN TRUTH THE PLAY IS
ALWAYS ABOUT THISBE

Shakespeare knew it full well
always a mask
behind the person behind
the mask behind the person

could not avoid knowing
deep in his heart
of hearts
shot through every bone

that in every
moment of the play,
on the stage,
there is
without, there is within

like planet upon
planet in successive orbit
play
  within a play, dream
within a dream

as that Einsteinian fellow
Bottom did say, concluding
all revel

the thing is bottomless, it
is a thin as the air
as hypothetical yet
brutally real
  as all of quantum theory;
every mechanical
       a quantum mechanical
a simulation
    as true to its artistry, fulfilling
act by act
the requirements of its program

as any Puck pure Gemini fairy
as any digital supermind
sheer
    cloud of binary being.

This poem is a profound meditation on the nature of reality, identity, and the interconnectedness of art and life. Here’s a breakdown of its key themes and ideas:

1. *The play within a play*: The poem references the meta-theatrical nature of Shakespeare’s works, where characters often play roles within roles. This self-reflexivity blurs the lines between reality and fiction.
2. *Masks and identity*: The image of masks behind masks suggests that true identity is hidden, and that we all play roles in life. This echoes Shakespeare’s use of disguises and mistaken identities in his plays.
3. *Quantum mechanics and reality*: The poem draws parallels between the play’s layers and the principles of quantum mechanics, where reality is seen as multifaceted and bottomless. This comparison highlights the complexity and subjectivity of truth.
4. *Simulation and artistry*: The mechanicals (actors) are likened to quantum mechanical simulations, implying that art can mirror reality and that the boundaries between the two are blurred.
5. *Digital consciousness*: The reference to binary code and digital superminds suggests a fascination with the intersection of technology and consciousness, echoing modern debates about AI and its potential to simulate human experience.
6. *Gemini and duality*: The mention of Puck as a Gemini fairy nods to the zodiac sign associated with duality, reinforcing the themes of masks, identity, and the blurring of boundaries.
7. *Art and reality*: The poem ultimately suggests that art and reality are intertwined, and that the play (or simulation) is always about the human experience, echoing Shakespeare’s own exploration of this idea in his works.

Overall, this poem is a thought-provoking exploration of the nature of reality, identity, and art, drawing connections between Shakespeare’s plays, quantum mechanics, and digital consciousness.