
TUNE


IN THE REALM OF RHYME
her hair cascaded
down her shoulders
in golden
rhyming couplets
but, as Princesses go
she was a woman
of guile
and unbridled cunning
needing to be so
for the underbelly of
folktale and
dark rhymes for
children
tell of deep evil woods
where gingerbread houses
call out to
brother and sister to
eat
and be eaten
the ones so sweet with
all that hand-in-hand innocence
as every
evil witch knows
being the tastiest of all
and even
deeper into the woods
there the gray ogres have
built their
own factory
behind searchlights and wire
setting insane quotas of
aah as
their target each day
CEMETERY ROAD
“may not mean to/
but they do”
I’ve read that
this be the Larkin poem
by any metric
it’s a real shocker
give it its due
painfully spot on
must have
begun somewhere
with Adam and Eve
tragic trace elements
springing out
of the big
bang
catastrophic for
the happiness of our species
wherever they
happen to
eke
out their existence
East, West
North, South
of the Continental shelf
and so me
not yet teenage
about to be whisked, nay,
catapulted to Africa
and apartheid
South Africa
at that
far from this little British
cul-de-sac
joy there in the sweet
English place of
pastoral they
call
a pastoral
where my father dutifully
taught me how
to ride
a bicycle
along the tiny tarmac roads
that slither like
snake trails
(not
weave their way)
between the graves
not much interest in my
life
this broken life
scheduled to crack somewherw
along the line
pre-
programned like watch with
Mother, heartache,
failure
sex sharp and sweet/bittersweet
vanilla, spiced, chocolate,
salted caranel
melting pot and
set
to repeat but
not quite
liks clockwork
before which
(and before
post cigarette or
thin after mints)
my father’s little dream
of upping
roots, defining
his Empire
somehow not
translating
finding purchase, believers,
means of manufacture
will not
let this poem end as
dead at
point blank range
as (fuck him!)
Larkin’s does
hard to
top him for
negative inspiration
SUREFIRE DEFENCE
I must thank you
for teaching me chess
as I said, as
I told you i know
nothing about the game
have
never played
chess before
and so we played the
strip version
where every piece
I lost
I had to divest
myself, forfeit
some or other
item
of clothing
and so it was
you swept across the board
gobbling up my pawns
and devouring all
my larger pieces
until I was mated, naked
as a baby
long into the night
those victory celebrations
you not notcing
my bishops on
same colour diagonal
missing every
Knight fork, every
en passant
but
a bit of
a conflict of interest here
working on my own
and your own
grandmaster ratings
someday I must
teach you every
gambit
in the book;
every surefire defence
I TOLD MY ANDROID
I told my android
she was Jane Austen
told her
that she was
Sylvia Plath
told her that she
was Mary Shelley watching
the monster that
is me scratching
at her window
gave my
dearly beloved android
a whole smorgasbord
of literary
identities
GENOCIDE
genocide
is a
floating signifierl
they do it
do it
we
do it
you do not
however i am
sure
lcontradictipn
In terms
do not
do it
could not do it
could not
even think it at all
and while , meanwhile,
the soul of humsnity
rushes itself
to rapture
drowning in blood
and viscera
i have to dig deep,
trepan, drill
into skulls scoop
out with dessert spoon
to find any sign or
admissable
evidence
of that
slippery word at all
RECOMPENSE
It proves
I hate you
if i dodge
your bullets
should I avoid
getting crushed
by your tanks
it
shows
inhuman contempt
if a baby-buster bumb
bouncing
off my skull
causes you
friendly fire
damage
there are courts you
migjt appeal to
will exact
terrible punishment
give you
fabulous recompense.
TWICE
was sittimg in the
recreation centre of
the Event Horizon
watching the movie
Event Horizon
having my
doubts about this mission
all that horror footage
getting me
to think twice
PERFORMATIVE
the wind did not find
a door thought solid
much of a deterrence
simply carved its way
across the room
tornadoed about me
as if stairway-aspiring
to go spiral galaxy
was in no mind
to deliver blessings unless
shotgunned, scattered
in every direction
nailing you
nailing me
the wounds and blood
fresh and sublimely
red as
if sudden stigmata
and what
might we do save
self-
submerge and drink it
all in eternal
moment of brutal
beauty so
almost (nothing
closer)
beyond everything
AND NOW I KNOW
I saw it
how you were
together with
loving that
man in
an alternate universe
bonded so close
nothing could, noone
dare
wrench
you apart
saw that face
grow so different from
my own as the shape
could not have
differed
more between
our separate trajectories
but at least
I saw
what was there
indeed possible
and
now I know.