INHERIT THE EARTH

INHERIT THE EARTH

day blaring rock
cool jazz

night universally
reserved for
rhythm and blues

and would that
not be old Orpheus
picking, plucking at strings?

master of the fretboard can
make Rickenbackers roar
Tele-Stratocasters sing
so that all
   beauty-smitten stay
for the duration
trapped
  in that chord-sequence
.
and she
whose memory so jars me
following me
   from the underworld but
how faithlessly
I turned
.
so arrogant to assume
that time
    my be conquered, distance
a thing
  to laugh at

freeze – framed, an
ice
  sculpture

Aphrodite’s Adonis as
disaster made plain

HIP HOP VERSION

HIP HOP VERSION

killing me softly
    (hip hop version)

at the fish
     restaurant

me there early
before officially open

the waitrons sweeping
cleaning shifting
tables

and me wondering whether
mussels or calamari
to be part of my order

and if tarrifs are going to
feed true revolutionary vibe
(Slavoj. Zizek on my
phone interviewed by
left channel

decrying
capitalist subjectivities
and off
the press acronym
for
  fuckable grandfathers)

and friendship with
Fred Jameson whom I once
hosted in Durban
where
   he did order prawns

and went up
to the Drakensberg to
imbibe
   the rock paintings

away from
cognitive mapping bugbears
true bane of our age

and
so killing me softly

that night I stayed over
my death was the softest

probably cannot blame you
so much wonder
there refused
       what graciously on offer
unbelievably rejected

and
    at the heart of all loss
and conceivably lost moments

that tyrant
of this life
          in the calling of time

killing me softly
sometimes the sampling
                 can change
song itself

RIPPLE

RIPPLE

something living
in the heart
of a stone
or ar least we
might say
can’t rule it out

something to be sure
in there

waiting
to live, come to life
for a very long time

from time to time
almost a thought hosted
almost a moment
of birth
of stone consciouness
wondering its world
thinking
for itself

throw selfsame stone
that it skims the surface
of the lake
splash of wet stone
as stone and
water
create fresh parabolas leaving lovely patterns

ripples
within ripples

and
at that very moment

whatever joy you
share with the stone
ripples in you
ripples
in you

do not tell me you do
not
sense the feeling

you would not
want to swear to this
would you?

CEMETERY ROAD

CEMETERY ROAD
“may not mean to/
but they do”

I’ve read that
this be the Larkin poem

by any metric
it’s a real shocker

give it its due
painfully spot on
must have
begun somewhere

with Adam and Eve
tragic trace elements
springing out
of the big
bang
catastrophic for
the happiness of our species
wherever they
happen to
eke
out their existence
East, West
North, South
of the Continental shelf

and so me
not yet teenage

about to be whisked, nay,
catapulted to Africa
and apartheid
South Africa
at that

far from this little British
cul-de-sac
joy there in the sweet
English place of
pastoral they
call
a pastoral

where my father dutifully
taught me how
to ride
a bicycle
along the tiny tarmac roads
that slither like
snake trails
(not
weave their way)
between the graves

not much interest in my
life this broken life

scheduled to crack somewherw
along the line
pre-
programned like watch with
Mother, heartache,
failure
sex sharp and sweet/bittersweet
vanilla, spiced, chocolate,
salted caranel
melting pot and
set
to repeat but
not quite
liks clockwork

before which
(and before
post cigarette or
thin after mints)

my father’s little dream
of upping
roots, defining
his Empire somehow not

translating

finding purchase, believers,
means of manufacture

will not
let this poem end as
dead at
point blank range
as (fuck him!)
Larkin’s does

hard to
top him for
negative inspiration

MR ORANGE MAN

MR ORANGE MAN

you told the soldiers
to stand up straight
lose weight

know
who’s the boss

stream
in single file
loaded
and locked

off
to the gym

need
to look beautiful
get into
shape, stay
trim

for all those enemies
without, and within,
especially within

told them
to fight the good
fight
love

the sight
of blood
(neither forgiveness
nor redemption
international law, code
of honour, Geneva
Convention)

all rules
of engagement, out
the window, thrown
into question

to clap
for their Emperor, save
his approval ratings

to which god-given
command they
did not
respond

such poker-faced
warriors

they will not
last long

(too much
internal enemy
still
    nestling
within them)

AGAIN

AGAIN

if the Universes
fancies itself
to be
a simulation

who
am I to disagree?

decry the fiction
abhor that our reality
should
    present itself a sheer
illusion

two-dimensional hologram
mapped out into three

upon which
all our projections be
fully encoded

but
   if this be so

then why
so much brutality, pain
and suffering

and why
when the last sun dies
signalling the arrival
of ultimate
ending

do I  have to
      word for word live
out
   the reset

follow the script
             from the star-
forged formation
of my molecules

through birth
                to death and

what
     sleep extends?

DIG

DIG
‘Do you dig it, suckers?”
The Warriors
(dir. Walter Hill, 1979)

are you in step?
got to
be in the lockstep

get
with the rhythm

dance the
        obligatory dance

follow the pattern
dig the metre
clarify
    the images

go with the flow
out into the agreed
upon future

dance
     the whole deal

dig your own grave

DOLPHIN

DOLPHIN

ah! the ease, the effortlessness,
this dream is what you get
with being streamlined,
by
  thinking
free and deep

final shape emerging
through that brutal process
of secret, significant,
implicit choices

taking the evolutionary path
of torpedo, missile,
submarine

and here
       we have it
the latest model, built
for speed bursts, leaps zig-zagging
     at will across
the prow

pretty breathtaking for
us as we
     negotiate those swells
make our little journey

and you
    sewing it together, stitching
every seam

sea, beach,
cloud, mountain suddenly
fused, welded
together

glimpse for a moment
into a
       close but distinct
different Universe where
gravity seems
not
    to apply

and of friction
there be no need

WHAT IF?

WHAT IF?

what if
no picture
tells a
story?

what if
there is no
picture at all?

but faces are here
speaking their truth
hiding something

lining
the walls
of this
sublime gallery

and here, above all,
that enigmatic madam
with her Louvre smile

we all want the light
need the light
accordingly
     build chapels, erect
cathedrals, write
gospels of the heart

need to
      see everything, capture
everything
leave nothing
        to conspiracy
need

to know
     no one falls alone,
unlamented
from cliff
       into abyss

whose crevasse, to be blunt
has opened
        to receive you, eagerly
welcome
   into
the fold

little girl who caught the eye
out there in
     what was once Abyssinia

stalked
by a vulture

seem to need
a pinch of Solomon here

that I might
begin to understand