LITERALLY NOTHING

LITERALLY NOTHING

said nothing
did nothing

the T word
sticking between
your teeth

the S sibilants
hissing, sounds
of a dog whistle

stuff in the syntax
and semantics
fouling your mouth,
poisoning your body

getting you to retch
spectacularly, like
some
   mythical, mystical
drunken creature
spewing up
    a bucket of
prize truth
to paint
   ideology in

and thus, obviously,
in this all new death climate
everybody
    rushing immediately
to
  your aid

fearing
   fatal loss to
the cause of annihilation

an end
to this state of exquisite madness
if you should
end up with

nothing
to say

AT WHOSE BEHEST?

AT WHOSE BEHEST?

at whose
behest

are you
doing this

colluding, concurring,
purring at their feet?

who got you
follow the money trapped
in their cash register?

indeed
caught in high definition
most compromising position

your crass
negligence, infernal
duplicity, perverse criminal
energy
    over and above
your demented insanity

about to cost
us our lives, every
piece of our world
 

DUCKED EVERY MODULE

DUCKED EVERY MODULE

“The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within, and from without.”
 Percy Bysshe Shelley, A Defence of Poetry (1821)

ducked every module
on Romanticism
during my
English degrees

and yet maybe
that is exactly where
my antipathy
to the movement
must have
originated from

kind of imagining myself
a poet, sort of poet, or
something not
too far from that
as I wandered down
towards the River Tame
(tributary of
the far more
famous Mersey)
stretched out
to the East and West
and South
the Pennine Moors
Bronte territory,
roughest, toughest, most desolate
part of England

still
  a ways to walk
to get there

and me for now
meandering riverward

slipping through my neighbour
crazy Gordon Shelley’s
immaculately
      mown garden

passing the tiny glade
of wild narcissi
     (dangerous lure, that
purity)

and down into the hollow
graveyard for one single
completely
    broken piano

its innards spilled, everywhere
rods and hammers
and scattered keys

leit motif
   for someone’s life
if not mine entirely

try to duck things
and they still
get to
nail you
one way or’t tother

ISLAND

ISLAND

no bell tolls
tinkles even
no alarm
or siren

nothing to
tell nobody

because nobody cares
nobody is listened

hope
   that featherd bird
is cannibal kebabed
skewered on the fire

this is an island
packed with an
accumulation
of no men
great rich big
small men
all of whom
are islands

everyone
everything is trapped
for which
all must get praised
for manufacturing
something so
close
   to the Hell ideal
beautifully evil

power’s
beautiful, soulless child

BACK THEN

BACK THEN

everybody was
listening to
Dylan
back then

and me
stumbling around
like an idiot
so much
in love you

how could I
feel
this
so exclusively

how could it
infest, invest
me
  so completely?

maybe I was getting
a precious sense of this
via all
   these Dylan songs

oil and water
different oceans
creatures from
different planets

and now
on different continents

still some
   strange, sad exchanges
between us

destined
to separate lives

BEHIND YOUR BACK

BEHIND YOUR BACK

According to the Chomsky
model of language acquisition

poetry is universal
written into our heads
we do not
learn it
    from scratch

in fact
spend our early years
simply unlearning it
(the parts
     that do not fit
that do not rhyme in Rap)

so, to
put it in
basic terms

we are all poets
yes, part of
the current economic,
social and political systems

but also

part surreal,
       with our split brains
and who knows
what other opposites,
oppositions, quirks, quantum
superpositions. contra-
dictions
    and dualities

and thus the rush
the impulse (like first sex)
to put
   pen to
paper

hit that
keypad
see what comes

flashing
  on the screen, staring back
at you
from the page

the poem itself
(albeit in its
as yet
unrevised
version)

instant poem
just add salt, sugar, spices,
condiments, distilled
whisky or water

wormwood to
kill any
pretentions
to taste

so much easier than
writing fiction – – worlds
apart really

and
    heart and soul of the thing
(if you would trust me
and allow
me
   here to reveal it)

in bad, bad times,
times of tyranny,
unashamed dystopia

poetry is
pretty much
our last resort

thing you can write
hands tied behind your back.

THUNK IT

THUNK IT

academics in the files?
who would
have thought it,
thunk it?

mirror me this
mirror to mirror
what is
the academy to
the narcissism
of ideas?

what reverse alchemy
at work here
turning gold
into base metal
turning base
metal into
something
far worse

turning billions of U. S.
into something unspeakable

turning
     the final dream of
community
into a confederacy of
Caligulas

and there as touchstones
sextants to
navigate such
progress

Professors of every
discipline and indiscipline
from triple X
to Zee

our Alphas, Betas
and outright Omegas

there on the island gowned
for the occasion
fiddling with
what bit they know of
intellectual apparatus

performing research
for the
    benefit of mankind on
the most unwilling of subjects

walking subtexts we
need to read
from below, behind
and between the lines

until, with
deadening “thunk”
the truth is right there

CATS LITTER-TURE

CATS LITTER-TURE

cats love writers
writing

my cat curled up
on a sheaf of what
I do believe
is my best
work yet

lying there
begging to differ
Tom (named
after a
certain Mr Hardy
and a
certain Mr
Eliot)

kneads the priceless
text with
kitten claws

interviewed afterwards
(in French) tells
some other
feline
   intellectuals

of his
great love
and respect for me
even if what I write is shit


GUIDED TOUR

GUIDED TOUR

I remember Paris
will Paris
ever
remember me?

I came to listen
I came
to write things down

repair my words
speak the language
of those horrible invaders
my ancestors

you see the imprint here
on everything
I say

wandering down
the left bank
hunting for absinthe
signs of
Rimbaud’s
drunken boat

ghosts and absences
mist at dusk
and in
the morning

making my own way
finding things out for myself
unlike the Nazis
in 1940

no one
giving me a guided tour.