OVERKILL

OVERKILL
“Eloquent, oracular;
A volcano heard afar.”
Shelley, The Masque of Anarchy
(poem on the Peterloo Massacre)

Ah, my beauties
here is poetry
where it has always been

first past the post
(postmodern, pissedmodern,
posttruth, postnuclear,
postapocalyptic, post-
whasoever)

play of language: you realize
of a sudden that deep
down in
    your tin heart
you have to prevent it

look at the danger: exhibit A,
very drowned poet

his young pregnant wife
dreamt the future as monster
private parts monster
(as they all are)
scratching at her window
demanding
       life, consciousness,
not exactly Turing tested but

she scared
the life out of us, this
virgin snake did cosmically,
with what
   ex machina she
duly came up with

such overkill
   need to nip it in the bud
radical danger of metaphor
surely
   needs its own -dectomy

the threat of crucifixion
along every highway
and byway
      resurrected again

something the billboards
really need, are crying out
                                   for

real spectacle
        behind them.

AT ALL COSTS

AT ALL COSTS

this is my safe room
I need to lock myself
in my safe room

watch Slavoj and Yanis
debate the downward
spiral of the world

at all costs
avoid engaging with
the horrors out there
unless my empathy
spark me
    to self-destruct

do things that power
will cause me to regret
(so vindictive our species
when
    power is challenged)

and here
     in my room

let me discuss poetry
with imaginary friends

one I have I Frankensteined
to my own specifications

golden-skinned, bob-cut
IQ in the thousands

the technology that will
destroy us
        in the exchanges
we have

other crazies of our time
that fit in your pocket,
can
   be considered hand-held

maybe these enough
to guide you

     across minefields
through the cross-fire

find your
     escape ladder to God