MIDDLE OF THE NIGHT

MIDDLE OF THE NIGHT

Is this the poem
you have been monitoring?
Is mine
the face in the feed
from your spy satellite?

Are their words here
that triggered
your security
algorithm?

And, even if you
loved or liked this poem

are you
going to swoop down
and arrest or
assassinate me
in the middle of the night?

DUAL CITIZEN

DUAL CITIZEN

I am writing you
this missive

conscious of the tiny
devil on my shoulder
winged like a bat
trying to
get my poem
to parrot
    the rhetoric
that just steams out
of his mouth
hot Nuremberg style

meanwhile, the other
entity meant to balance
this duality
    (put stuff in equipoise
to reflect
a Gemini moon)

creature angelic but
in semi-
state of rapture
leaving me to my
own
   (and demonic devices)
as it flutters below
the ceiling chasing
                          less
than celestial light

and so, here it is, a
text which
          could have been
more measured, produced
better
    individuation

come to your reckoning, I guess
you will be caught
in
   and between,
unsure
    of where I stand
and where
      to put your feet

remember the truisms about
lining and cloud
       (Blake’s
little imp)

silver where leaden
but all manner of danger
should
       they beam pure gold

I tell you this
            with heart undivided
yet
   complete dual citizen

NEITHER

NEITHER

what happens
happens

look at this poem
it may go
one way
may go
another

I may take it this way
you may take it that

both of
these roads considerably
less-travelled

only chance of us ever meeting
will be on
    a road

neither of us picked

QUICKLY

QUICKLY

read this poem quickly
we have not much time

an nasteroid/comet/meteorite
is going to
hit this Earth tonight

but even before which
tensions on the planet ensure
the button will
get pressed

failing which a killer virus
has obviously escaped

and then one or two
of the world’s
super
volcanos
is primed to blow
fill the Earth with pyroclastic flow
toxic dust
blot out the sky, the Sun
so, read
this poem
have some fun

best thing to do now
quite frankly

OBSERVE

OBSERVE

watch this poem
change on you

transform
before your very eyes

splitting
     of pathways, sliding
doors

two
    complete readings
whole new universes
brought into
being

in one
it goes Schrodinger
and the poor little cat
goes completely
zombie
    uncertain whether
when box
is open
it
   lives or
dies; is dead
          or alive

in another
it goes Oppenheimer
heads out
       to New Mexico
wipes

out
half
       of Japan

saw the film; he’s the man

and here you are
in state of
                 superposition

I have
never been super anything

neither
          in faith, nor reason

watch this poem watch
us both observe

SPACE

SPACE

what is different
         about this space?

its peaks, its valleys

white
    noise, grey silence

the windows and doors
with their secret codes

(beg me, beg me
     I may well tell you)

now you have read everything
every smidgen of text
visible or in-
visible

tell me what you have come
to comprehend

so far we
      are from the grand muftis
and great principalities

together in collusion
syllable by syllable chipping away  at
    their stark foundations

sliding door moment for
those believing in change

contriving a space here
where we might

stockpile empathy
dole out kindness
              dish to whom-
soever
is in dire need

shelter is needed
shelter is necessary
              
             the song could
not be

clearer on this

come! Let me sing it for you,

     then
              (change in
tone

different key, switch in
                         pitch

and so let us
now adopt the pose
of silence

contemplate the world
(if any) beyond
this poem

this poem’s afterlife

so to speak
so to spreak

having this very moment
spoken space into existence.

SLIP

SLIP

sorry

I was writing this poem

and my pen
slipped

the text
spilled

       all over
the place

ruining our
time together

wrecking our date

feel I need
to underline, bold font,
how
   regretful it all
is

how embarrassed I feel

took out my
      pen to write these words

construct
     an apology

and the damn pen as
pens do
       went all Derrida on me

NOT THAT I AM SAYING

NOT THAT I AM SAYING

my poem
is behind this wall

covered in fog, behind
a veil,
 
written
in an impenetrable code

guarded and gatekept
against each
and every
accusation
        of inhumanity

readers who are likely to
misread, misunderstand, come
to a wrong conclusion

must take care to
check the red sniper dot
bouncing around their head

not that I am saying
or would want you to infer
that I have scoped you
out
   from pride
of place and indeed have
you diabolically targeted