
TO SHAKESPEARE’S WOODS


WEREN’T WE?
weren’t we
supposed to hold
up the mirror
to human nature
not let it fall
splinter, shatter
crash and burn, break
into a billion tiny
diamond-bright pieces
jagged shards, blood
soaked, blood
painted, bloody
never to be fixed
never
to be returned
never reclaimed
never restored
all those bits of light
dancing in the Sun grotesquely
hold
up the mirror
to human nature
who the fuck, nowhere
near his right mind
came up
with that idea
(go not pass go
leave the planet
sail steadfast, venture into the cosmos
cross
the galaxy
not, never
in a trillion lifetimes
nothing out there
to mirror what
we
might well be)
weren’t we?
EDWARD
if you did write those plays
how wrenching for you
to have instantly disowned them
with the final word.on the page
and what words!
what words!
our best algorithms prove
them yours statistically
one by one
the pieces are found
and
begin to fit
together
and suddenly, quietly
we have
our mirror
plays lost to the man
man lost to the plays
SYSTEM
and now I find
and now I find
gymnast and
syntagm
are so intimate
anagrams
of each other
spooky action
at linguistic distance
but what do I know
of such unique connection
all my lovers
ghostly, some
actual ghosts
the dust of all
that was desire questioning
my stridence
gives the idea
puts me on notice
that it is
all simulation
and when you undress before me
in name only
getting the sweet syntax
up and running
see what you are up to here
Mr Shakespeare or
Earl
of Oxford
whatever you wish to go by
privately call yourself
spilling from Juliet’s lips
the philosopical truth of
a true rose
even if
a thousand years of cynicism
scepticism stands in its way
when you
go inexplicable mystery
and wrap yourself around me
making us (yes, channeling you
Professor Noam Chomsky)
branches, leaves
upon the same tree
graft taking
we can grow now together
happy
(who would not be) though
this all
feels pre-planned: our
perfect simulation

HERE
it was not a great play
the Danish constabulary
arresting Hamlet’s
uncle
in the final
scene
bringing him to justice
full force of the law
warm
inside we felt
but harrowing catharsis
was what we
paid for
nothing quite like the blood
soaked stage
that marks the escalation
to biblical proportions
full geometric progression
that marks the fulfiment
of desired revenge
likewise
love restored
Othello and Desdemona
working on jealousy and
self image
in partners’ therapy
or Dionysus giving Pentheus
a book to read
about his divinity help
this stupid
fascistic king
better understand
the god of ecstasy’s ultimate
terrible kindness,
beautiful power
(Nietzsche’s The Birth
of Tragedy
could do this well)
but
none of these cut it
none make the cut
regarding what
we need.
the hours spent in the theatre
must alter time, change
our perception
bring us
to the threshold of
apocalypse at the
insane spectacle
such as
is in flood across
the airwaves
.
as is presented here



COURTYARD
I caught Hamlet walking
across the courtyard
moving
of his own accord
unless
already shepherded
to his fate
puppet-strung by some
beautiful bard
without whose play
without this
play
our lives would feel
stripped of great tragedy
THIS PLAY
I came to the play
in suffering
Hamlet this night
sure to be my guy
having pencilled him in
but no sooner ghost-talking
guards appeared on the parapet
then down in the audience
war broke out
between those who
swear by
William of Stratford, and
those who proclaim
a new king
by name of de Vere
sad that either way we
facing some
serious anonymity
which is hard for any writer
but perhaps par for
the greatness course
I am told these poor folks
put their whole
souls into it
and next time you scan
not a single bone remains
spiritual, symbolical, material
not a shred
of connecting evidence
it’s like the stuff
wrote itself or
ethereal hand
blessed the page
no chance here to debate
learning
versus innate craft, the role
pain played in it
of trace of the causality that
produced this irreplaceable shape
and there we are
watching, dreaming
as it
all goes down without us
pale reflection of being
perhaps not even
bridge
best we can be, bridge
broken or
magnificent
Hamlet
dead again
as always
In state of acute longing some suffering,
I came this play.
GOODFELLOW
that juice
that misguides
messing with
the truth that is youth
in its
absolute
love
slurring word sounds to
fit that
shifty, narcotic
sex-dream picture
Oh
I do not hear
what I hear
do not see
what I see
my brute body far more
beast that it has ever been
your
fairy bower so
exquisitely
kindly
your words dripping with
the wonder of your
mouth, lips
parts I might
list
if I had
time to
Oh the love you have given me
too much for lifetime, enough
for one-night stand (more
might drown me)
that juice, my Queen,
so translated, brought
base to gold
great
alchemy
beyond the perfume trick
of simple chemistry
we must have bathed in
must have flowed, rolled
over our bodies
like a river
at which sight
Puck
puckered up
so
deeply impressed



