
THERE YOU GO AGAIN


POEM IN STONE
prim village
but turn over
enough stones
shape shifters, Caesars,
serial-killers
and
at the tiny railway station
connecting nowhere
to everywhere
(all
roads lead to)
what slipped off
the rails
what
dark dreams?
(always a train
in a surrealist painting)
Oh and
there the tunnel
who knows
if there is light
if there
is other end?
something big
once stirred here
dared
a big net
to catch it
people remember, will
tell you,
people forget
what brought them here;
what took them hence
A PLEASURE
I would
say
it is a
real pleasure being in your life
but it is a
surreal pleasure
a Dali painting
a Picasso sculpture
a poem by Breton, Aragon,
Apollinaire, Rimbaud or
Neruda
a film
by Luis Bunuel
or Guillermo del Toro
in which
we are stuck together
cannot leave
until we sexually discover
the key
or sacrifice ourselves individually
in order to re-inherit
our subterranean
magical
Kingdom, Queendom
a surreal pleasure
grinning like a Cheshire Cat
whenever it
promises to reappear
YES YANIS
“the surreal colonizing the real”
Yanis Varoufakis
Columbus would have made it
if he had not traded
his ships in for jet skis
and surf boards
would have made it
to the Pacific
if he had not
stopped off in DC
to watch the
Army Navy game
his progress tracked
by GPS satellite, with
constant updates on
FOX, CNN and
alternate media
(outside Columbia and
MIT braves from
the seven nations having
set up
protest encampments)
Zadie so worried
whether her hypothetical
Zionist student would
not be bound
to feel aggrieved, suffer
horrific identity collapse
if hole in your vessel
easy to find a plug in DC
use a member of the house
the Hatter would tell Christopher
as the tenor got weirder
and the teapots all ran out
tea enough
still perhaps
after a previous party
floating in the harbour, but
for a great teapot at
this time of writing, a
wanderer did inform him,
you might
have to consult Boeing and
the military
industrial complex
Ah, the logic, the methodology,
suffice it to say, pure area 51
pure Man Ray,
pure
little girl without arms
bullet
through her head this
tale of Wonderland
is not about
you came to these shores and did
not expect to find palaces
did not expect to
encounter castles
golden dubloons maybe,
perhaps
a golden gate bridge
but not a landscape of
golf course and tenement
and cloud
saturated with capital
dodging those Lakota arrowheads
they said that
here there
would be no King
everybody would be a king
as
many kings on deck
as playing cards
Christopher somehow now
up in the Rockies inside
the Overlook Hotel
ghostly overseer Stanley
whispering in his ear
an adage that
colonization is
the heart
of the horror
colonization
the name
of the original sin
Yes, Yanis
still waiting for the cartoon
version of what I scribbled
down here
have commissioned Salvador Dali
have pleaded with Picasso
YANIS SAYS
Yanis says
the surreal
has colonized
the real
conquering brigades of
Spanish artists
are demanding
that the defeated
natives of the
land they
have invaded
do renounce rationality
surrender clocks
turn nine to
five to
five to nine
with plenty of time
to be rationed out
for Jackson Pollacking
the floor and walls
the crazy beauty
of the patterns
perfect
for generating
insight into the current
structures of life
that we
are told to believe
do absolutely cohere.
POON
was playing
a harp
but it
became
a harpoon
words flying in
like fish
all over the deck
desperate
to write
knew
the tune
but as the fish
thrashed about, struggled
and gasped
wondered whether
this were
not pure satire
or simply
lampoon
TIME OF THE SPIDER WASP But what is the rush? At some point there has to be acceptance acceptance will carry the argument and so, accepting I then accepted the spider wasp’s invitation followed her to the front door and somehow we had found out way out of this crypt moved into the strange air I lingered as she hovered close to my face not wishing to rush enjoying the mystery wondering what kind of portal this must be leading to dimensions adjacent or whole new galaxies infinity is a concept which, crazily, we cannot but believe.
OLD EMBASSY was sleeping in the old Soviet Embassy dreaming of you naked crashing through the wall driving a Sorbonne student, Paris Commune best May Day Parade tank a T-68 I believe, though I stand to be corrected the crumbly modernist structure recoiling under impact looking for all the world on the threshold of collapse and then we made love, parted left the bullding in swopped Che T-shirts swearing undying Comitern Pact exchanging best childhood Cold War finger on the button scary memories such as that ancient Castro Cuban missile crisis alarms blaring holding hands in fear but much secret juvenile love fascination beneath the impenetrable shelter of my school desk
JUKEBOX
we had love
hard and soft love together
in my dreams
or maybe
your dream
difficult to say
how must claim authorship,
location and territory
so receptive our separate states
given you
had been studying a
painting by Miro,
I, for my part, reading
Neruda
poetry from a time when
Communism was sexy
full of the surreal
and carnival
potential
and Professot Slavoj Zizek,
archetype of
Lacanian pessimist
was young in years, wet
behind the ears
little more to speak of
than mere
slip of a
Slovenian lad
Prince’s sign of the times
song on
the jukebox before
we
did
our dance
DALI BREAKFAST
nothing quite says
“Dali dream breakfast”
than a few octopus
tentacles and a
bowl of red squid
eaten inside
a divers
helmet
other octopi
and squid
swimming around
the helmet
peering inside
shocked,
horrified at
the
surreal shock show
yet by no means
as surreal as other reality TV


