
TROY



MONSTER
the monster
has no poetry
no mirror
in.which to
see itself
as it truly is
jist murdee
which it sings
as its songs,
its advertizing
jungles;
do not expect
me to
elegize,
lamemt the monster
when it is gone
NORM
Norm speaks
slowly
takes
his time
guess it wouldn’t
make sense
for the voice
of truth
and justice
to go racing car
every syllable
pages of reference
legions of footnotes
underpinning
the logic of a bulldozer
when he gets into gear
when he swats your
feeble premises aside
with such ease
how did you even
fool yourself
you had any chance
that the fairy tale
you tell
comic that
you are
might stand its ground?
ONE AND ONLY
imagine
you are one
moment
naked in
the street
in Hamburg
the one before
in Strawberry Fields
with Yoko
the next
being introduced to
Paul
the next being blown
away by a jealous soul
with a snub-
nosed special
imagine a
world become
so non-linear
everything you are and were
revolving forever on a carousel
imagine that you
are
have become
none other
than
Mr Sergeant Pepper’s
one and
only Billy Shears
BUTTONED
slippery slope
one Hell of
a logical fallacy
not sure I buy that
he said as
poles reversed
and all
went vertigo
over a bad word
and the terrible, Earth-
shattering damage — go
figure! — it cannot
be allowed
to do
but she is erudite, and
in the New Yorker, no less,
she has
made her case
but elegance is an achievement
will not stand
up to deconstruction
your cracks and crevices
are there
for the taking
rhetorical figures interrogated
made to stand on their heads
and here you are
touting the danger
of weapons of mass destruction
but throwing
your own little not so
weak hand grenade
into the mix
thing that democracy, humanity
can well do without adding
to their wounds, their woes
at this particular juncture
useful idioting yourself with
stylistic flourish so spectacular
finding yourself
(yet again) on these pages
grown
synonym
for suspect
nice little diversion from
the calamity to the very
concept and
its understanding, of
civilization
with every blind moment of
pure slaughter via
two thousand pound bomb
testament to
our world, new
reality no
sooner than lips
first got buttoned up
PEEL
I watch you
peel
wondering if this be
a whole new being
or at least a new species
I would touch you
but that might produce
an intensity
at which flesh dissolves
or, at the bare minimum, a
moment beyond
our capabilities where
we hurt each
othes’ feelings
.
perhaps
(but no quid
pro quo) I should
peel too or
simply
stand before you
as yet unpeeled
or stretch out in a tableau
of tender vulnerability
peeled of everything
extraneous and
at the
heart of my need
what
is the worst that could happen?
best and worst
beyond my wildest imagination.
FOR REAL
storms
will come
storms
bringing guns
hail big
as icebergs
your titanic
doubly
sunk
and you backyard
now an
ocean
and you
thinking: it’s
almost as if
someone been
photoshopping
bulls, ragged-tooths and
great whites
into this flood covering
my house
and garden
and the sharks thinking
he thinks
we digital
better explain we
for real
AT THE HOUSE
OF COCO CHANEL
sorry
I ate all
your makeup
some tasted
caramel
some had a chocolate
flavour
most was just
generic pink
felt like
winning the lottery
and blowing it all
at the candy store
even ate the blue
leather bag everthing came in
a cross
between the taste of
blueberries and
the taste of
cow
but hey, now,
take a peep at my insides
and you might think
you are at a
disco
at the Moulin Rouge
with Miranda wears Prada
at the house
of Lagerfeld or
Coco Chanel
