ANACONDA

ANACONDA

syllable by
masticated syllable

came across you
filling that legendary belly
devouring every
morsel
of my name

seems
my being a snake too
according to
the ancient astrology

made me
as regards foodstuff
near
    exact fit for you

a task for you
to slide into wisely
without apprehension

if you were
      to call it
a marriage here not
of convenience

but
made it Heaven

consummated
in Hell, in devilish fashion

I would have
to agree

although
equally I might just add

it sounds
just
   as good

the other way round.

TIMELINE

TIMELINE

Christopher
in this timeline

never makes it
to the New World
his ships got stopped
in their tracks
by metal flying machines
with stars on the wings
and the power
to sink his
every ship
in half a second

huge metal boats
surfaced from under
the water
which appeared to
have a few aboard who
could speak Spanish
or Italian

who told him
in no uncertain terms
to return whence he came
M
there, upon his arrival in Cadiz,
no one would believe
his story

and even under torture
the Inquisition in Madrid
could not extract
a plausible account

and, thus, in these
grave circumstances
determined he must be silenced

the thought of such
an advanced civilization
across the Atlantic
would shake
the Church to its core
and threaten the sovereignty
of every European nation

deconstructing
every
rational premise

from final straw
to germ of an idea.

NO SWEAT

NO SWEAT

I smell
of sweat

smell of death

a smell
to savour
sweat
laced with death

raw odour
needing a tad more
of your perfume
and spice on my skin

and so this alchemy
whose secret
barely hidden
opens itself
to scrutiny

lead
turned to platinum

gold
to glazing

crystal to
diamond

water
to steam

and star  blazing
fissile energy
             force of
such
fusion

stuff of that
industry
to thing that you are

which
that old skald, old troubadour
Saxon
     Norman Viking
Celt
within me

can sing of hesitantly, imperfectly,
the superabundance you require
so
    much long gone
all its
    revelation

lending itself
            to
                all
that
is rival, separate
Other

distant in time
        faithfully elsewhere

whilst
I smell of sweat, do
speak here
of death
and other transformation.

      ****

INHERIT THE EARTH

INHERIT THE EARTH

day blaring rock
cool jazz

night universally
reserved for
rhythm and blues

and would that
not be old Orpheus
picking, plucking at strings?

master of the fretboard can
make Rickenbackers roar
Tele-Stratocasters sing
so that all
   beauty-smitten stay
for the duration
trapped
  in that chord-sequence
.
and she
whose memory so jars me
following me
   from the underworld but
how faithlessly
I turned
.
so arrogant to assume
that time
    my be conquered, distance
a thing
  to laugh at

freeze – framed, an
ice
  sculpture

Aphrodite’s Adonis as
disaster made plain

HIP HOP VERSION

HIP HOP VERSION

killing me softly
    (hip hop version)

at the fish
     restaurant

me there early
before officially open

the waitrons sweeping
cleaning shifting
tables

and me wondering whether
mussels or calamari
to be part of my order

and if tarrifs are going to
feed true revolutionary vibe
(Slavoj. Zizek on my
phone interviewed by
left channel

decrying
capitalist subjectivities
and off
the press acronym
for
  fuckable grandfathers)

and friendship with
Fred Jameson whom I once
hosted in Durban
where
   he did order prawns

and went up
to the Drakensberg to
imbibe
   the rock paintings

away from
cognitive mapping bugbears
true bane of our age

and
so killing me softly

that night I stayed over
my death was the softest

probably cannot blame you
so much wonder
there refused
       what graciously on offer
unbelievably rejected

and
    at the heart of all loss
and conceivably lost moments

that tyrant
of this life
          in the calling of time

killing me softly
sometimes the sampling
                 can change
song itself

RIPPLE

RIPPLE

something living
in the heart
of a stone
or ar least we
might say
can’t rule it out

something to be sure
in there

waiting
to live, come to life
for a very long time

from time to time
almost a thought hosted
almost a moment
of birth
of stone consciouness
wondering its world
thinking
for itself

throw selfsame stone
that it skims the surface
of the lake
splash of wet stone
as stone and
water
create fresh parabolas leaving lovely patterns

ripples
within ripples

and
at that very moment

whatever joy you
share with the stone
ripples in you
ripples
in you

do not tell me you do
not
sense the feeling

you would not
want to swear to this
would you?

CEMETERY ROAD

CEMETERY ROAD
“may not mean to/
but they do”

I’ve read that
this be the Larkin poem

by any metric
it’s a real shocker

give it its due
painfully spot on
must have
begun somewhere

with Adam and Eve
tragic trace elements
springing out
of the big
bang
catastrophic for
the happiness of our species
wherever they
happen to
eke
out their existence
East, West
North, South
of the Continental shelf

and so me
not yet teenage

about to be whisked, nay,
catapulted to Africa
and apartheid
South Africa
at that

far from this little British
cul-de-sac
joy there in the sweet
English place of
pastoral they
call
a pastoral

where my father dutifully
taught me how
to ride
a bicycle
along the tiny tarmac roads
that slither like
snake trails
(not
weave their way)
between the graves

not much interest in my
life this broken life

scheduled to crack somewherw
along the line
pre-
programned like watch with
Mother, heartache,
failure
sex sharp and sweet/bittersweet
vanilla, spiced, chocolate,
salted caranel
melting pot and
set
to repeat but
not quite
liks clockwork

before which
(and before
post cigarette or
thin after mints)

my father’s little dream
of upping
roots, defining
his Empire somehow not

translating

finding purchase, believers,
means of manufacture

will not
let this poem end as
dead at
point blank range
as (fuck him!)
Larkin’s does

hard to
top him for
negative inspiration