
ASTRAY


PHIL AND BEN
Phil and Ben
shootimg the breeze
like they are major league gods
on Olympus
but caanot
taste the abrosia
in their words
run
with their wisdom
history sure to show
how here, like so many,
they shot themselves
in the foot
with some weapon
of horrendous calibre.
ASSAULT OF THE REAL MEN
they imagine
their captain
be Leonidas
they the brave 300
out to hold
the hot gates
save civilization
from
Xertes horde
who have
stayed at home
drinkimg tea, reciting slogans
and poems
holding impromtu history lessons
unarmed, democratic
and anti-
imperial to the core
GALLERY
I paged through my AI art
gallery
whilst you were busy
working at your craft
reports flooding in
of genocide and
impending nuclear confrontation
not enough to detract
you from your task
of penning the perfect couplet
and then perhaps, who knows?,
sky’s the limit
a further lifetime might well
need to be devoted
to the first draft of
what holds so much promise
of one day becoming
a most exquisite haiku
shining like a jewel, a gemstone,
amidst all the rubble
and detritus
of what we once were
a beacon of light
to draw us together throughout
the years of hard nuclear winter
perhaps
tattooed on skin and
thereby passed down
through the meagre generations
of survivors
more effective as message
that painting
sculpture
could ever be
which very idea I put to
my AI artist
in a flash of
miraculous intelligence
bound
to come up with something
a little off-putting since
still somewhat aliem
yet wondous nevertheless,
worthy of its place
in my gallery
never
to be seen again.
LIVESTREAM
I was
a walking stream
of consciousness
a stream of consciousness
walking with a cobra-headed
hard red-wood stick
treating myself to
a slow circumnavigation
of the heart of the farm
on YouTube meanwhile
much screaming & pontificating
about red lines being crossed
and slippery slope
to no tomorrow
tactical nukes even
as we speak ready for
testing
being wheeled into position
men in their Strangelove
think tanks think
it’s just
a game of brinkmanship
serious
high-stakes bluffing
and me in my Cassandra moment
thinking about the pressing
of that button
to remove the surprise
from smugness in person
it’s wonderful, what
it can do, what platform
it affords for
all career launching
a prestigious degree wreathed
in ivy league ivy
how in such hands, how
safer than safe their
algorithm would
wish us to feel.
COLLIDE
you cannot
deploy a screwdriver
to fix
the world
will set you
on a collision course
with hi-tec
cerebral
high minded people
intellectual
salt of the Earth
nor light you turn
to instrument more organic
warmer, softer
of shape less regular
(but in the same
ball park
when it comes
to visual metaphor
and the logic of dream)
a tried and
trusted mechanism
evolved over aeons
shuttle-slide into action
same principle as self-
loading but
hopefully more
symphonic
yes
and stumbling into
sympathy, empathy
let us consider
the heart that
lies at the heart
of all these hydraulics
lies
at the heart but hopefully
speaks the truth,
it’s truth
so much in the joy of cataclysm
pumped into the air
that doesn’t even make sense
scarcely comes
in syllables
a waste of good carbon therefore
every breath here expelled
and that is without even
bothering to consider
the happy physics
of all those mouth-centred
mechanisms
fuelling such
soft collision
loosening, tightening
the screws that hold this all
in frame
keeps the picture
together
twenty four seven
or frames
per second
as metaphor much needed
in the heart of the night
some
scarcely even poetic
fit just right
CROSSING THE 180 LINE
did a lovely
dirty with
this citizen
of the Netherlands
on the washbasin
over the edge
of the bathtub
Spanish style and
every other nationality
style that
this
dream lover required
and
the cinematographer
long been hiding deep
in my unconscious
knew his
or her stuff
perfect blocking, exquisite
lighting, startling use of
zoom
and rack focus
and since
was the finest that sweet
Amsterdam or
port city of
Rotterdam might
muster
much canted lens Dutch angle
and 360 sensurround
whilst
never crossing
the one
eighty line
DENIAL
you have turned
denial
into a fine art
and what
a self- portrait
it is painting!
one whose veneer,
we do see through
that history
will record, pass
down through
the generations
in its true, raw
hideously distorted,
criminal, culpable
least human of forms

